The Tchaikovsky Piano Concerto We All Know And Love? Turns Out It’s Not The Version The Composer Intended

“You can hear the differences immediately. Those massive chords we’re all so used to at the start of the piano part? They’re supposed to be arpeggiated as lyrical, harp-like consecrations of the harmony, not bashed out like military hammer-blows, and they were marked to be played at a lower dynamic than they are in the Siloti version, and they’re also an octave lower.”

The Day Columbia Records Dumped Four Of The Jazz Greats

“There are different versions of how Ornette Coleman, Bill Evans, Keith Jarrett, and Charles Mingus were let go by Columbia, over the years tending to crystallize in a single-day narrative that’s sometimes been referred to as “Bad Day at Black Rock,” a nickname for Columbia’s midtown Manhattan headquarters that also evoked a noir film of the 1950s.”

The New Concert Companion Is An App

“Before the music begins, app users can read background information about the piece. When the music starts, a sequence of brief annotations begins, cued by an operator in the hall who follows the musical score. The annotations alert listeners to when an important theme in the work is coming up, for example, or describe important subtexts to the music.”

How Video Game Music Has Changed Our Pop Music

“We are accustomed to thinking about pop music in terms of its most familiar metadata: songs and albums, scenes and artists. But what about all the other, seemingly incidental music that gets lodged in our heads, from commercial jingles to sitcom soundtracks? Could it be that the largely unknown Kondo, Nintendo’s first dedicated sound designer, was one of the great innovative forces of our time?”

Indie Musicians Hope Apple Music Changes The Streaming Biz (As In Make It Profitable)

“The belief is that the revenue for indie artists on Apple Music—even if it’s minuscule per stream—may mean more bucks overall than what they get from streaming competitors. And with Apple Music’s new social network, Connect, indie artists may finally have the definitive place to interact directly with their fans—like Myspace a decade ago, but with way more weight behind it.”