National Symphony Names New Music Director

“Months before expected, the National Symphony Orchestra has named Italian conductor Gianandrea Noseda, 51, as its new music director. He will take over in the 2017-18 season, after one season as music director designate in 2016-17, the orchestra announced. His initial contract will run through 2020-21. It’s a coup for the NSO.”

The Dude Who Became The Go-To Librettist For New Operas

Royce Vavrek: “‘I don’t know how I made this career,’ he acknowledges to us during our talk with him in his Bushwick apartment. ‘I’m legitimately only writing libretti. Aside from doing a couple of classes at different universities and one-offs, I’m not working in any other capacity. I’m making no money besides from writing libretti and lyrics.'”

Will ‘Mozart In The Jungle’ (Not To Be Too Dramatic) Save Classical Music?

“Set apart immediately by its setting and even more so by its platform, Mozart, a show about art, commerce and change is being produced not on network or even cable television but on instant streaming. Classical music, often deemed inaccessible and elitist, is being represented in the most accessible form, and streaming or not, we have a show that delves into the complexities of a career in the arts without being pedantic. Unfortunately for those who may never care enough to watch, Mozart has selling power in surprising amounts.”

A Wiki-Discography Becomes Indispensable To Collectors And The Entire Music Industry

“Borrowing from Wikipedia’s model of user-generated content, Discogs has built one of the most exhaustive collections of discographical information in the world, with historical data cataloged by thousands of volunteer editors in extreme detail. … And with an online marketplace through which nearly $100 million in records will be sold this year, Discogs has carved out a valuable niche in a market dominated by companies like Amazon and eBay.”

Canada’s Longest-Running Music Critic Retires At Age 84

Claude Gingras spent six decades as the classical critic for Montreal daily La Presse. Many observers objected to his often-harsh language – one Toronto colleague called him “Canada’s potshot king” and Marc-André Hamelin once refused to play if he was in the hall – but he was an early champion of conductor Yannick Nézet-Séguin and composer Claude Vivier.