No One Living Has Ever Heard The Most Famous Violin In The World

“The violin world is a world based on lineage, secrecy, and the ‘war’ between authenticity and deception inside an elite group. It consists of a cloister of craftspeople, dealers, and ‘experts’ passing very specific knowledge down to the very few willing to take the time to learn this time-intensive skill that for centuries has been based on copying old fiddles.”

Arena Di Verona Opera Festival Goes Into Liquidation

One day after unionized staff narrowly voted to reject cost-cutting measures to reduce debt of €25 million, the board of the Fondazione Arena di Verona, which operates the popular summer festival, voted unanimously to ask the national culture minister to shut the organization down. Verona’s mayor claims that this action won’t affect the actual performances this summer, though a new, privatized entity will have to run the festival. (in Italian; Google Translate version here)

Philadelphia Orchestra Launches New Social-Impact Programs

“The group is instituting [one new] program, increasing others, and packaging them under an umbrella acronym: HEAR, which stands for health, education, access, and research. … The initiatives are part of a changing institutional direction, [orchestra president Allison Vulgamore] said, taking the orchestra more heavily into social-mission work. ‘I want to be off stage as much as we are on stage.'”

Every Night A Singer Destroys This Artist’s Painting (And A New One Has To Be Created)

“It took artist Gerard Gauci a week to paint the whimsical portraits of sopranos Meghan Lindsay and Peggy Kriha Dye, which grace the stage of the Elgin Theatre in Opera Atelier’s Lucio SillaLucio Silla. But it only takes one minute for them to be destroyed when enraged dictator Lucio Silla punches one painting and stabs the other.”

Boss At London’s Royal Opera Says His Final Production Will Take Direct Aim At His Critics

Kasper Bech Holten’s tenure as artistic director, which ends in March of next year, has seen more controversy over stagings than is usual at Covent Garden. So, he says, “what could be more fitting for my last show in London than to do a comedy about how hard it is sometimes for audiences and artists to find the right way to communicate with each other?”