A Socially-Distanced Concert Outside. How Did It Work?

Much like those nervously gathered to listen, the program was a little all over the place; but the intimacy of the experience — and our collective hunger to hear just about anything — gave the feeling that audience and performers were conducting the same experiment: just being there. Even before the first notes were played, I found myself getting lost in the music of chitchat and laughter — our own birdsong. – Washington Post

Glyndebourne Festival Opera Will Do An Outdoor Season This Summer

“Offenbach’s 1858 Mesdames de la Halle is the first opera to be announced. It will be staged with 12 singers but no chorus, with 13 orchestral musicians instead of the usual 40, and with a limited audience of 200 people [spaced apart outdoors]. … Taking place throughout July and August, the series will include concerts from the Orchestra of the Age of Enlightenment and London Philharmonic Orchestra.” – Classic FM

Opera By Phone? We’ve Got You Covered

“I had worried that the just-for-me performance would be awkward. The prospect triggered flashbacks of unwanted serenades by accordionists and fiddlers playing for tips on European restaurant terraces. And though I was game for playing my part in the flirtatious conversation, I was mindful of the stern warning On Site Opera had sent ticket holders to uphold “a respectful artistic experience for all.” The last thing I wanted was to try something cute that would come out creepy.” – The New York Times

Gathering And Honoring – And Playing – The Music Of The Death Camps

Francesco and Grazia Lotoro have spent their lives collecting and cataloguing “symphonies, operas, scores and songs that were composed and performed under conditions so horrible one imagines that music would have lost its ability to encourage and to soothe.” Their project now: To raise money for a “citadel” that is “known formally as the Istituto di Letteratura Musicale Concentrazionaria [and] is to include a museum, a library and a theater, at a cost of roughly $45 million.” – The New York Times

The Music Of The Revolutions

Music that unites protestors is not new, and it wasn’t new in the 1960s either. “Music at protests reminds dissenters of their humanity, even when the powers-that-be attempt to strip away their personhood. It gives strength. It takes the mind away from a place of fear and pain, and focuses the body to resist. And at times, the music is the only way the message can be shared.” – OPB (Portland)

What Diversity Means In The Choral World

Choral music has unique diversity issues that are more subtle than those in the instrumental world. Because of my work as a publisher and composer, I am particularly interested in the representation of our programming as well as in leadership and overall participation. Unlike orchestral programming, many choral music programs consist of music by living composers. In fact, over 80% of the recommended repertoire from the ACDA National Repertoire and Standards lists were by living composers. Choral singing has fewer barriers for participation and the approach taken by any given choir can range from an egalitarian activity with which nearly anyone can participate to an elite one available only to the highly trained and educated. – NewMusicBox