James Conlon Diagnoses The Orchestra World

“We have a great paradox in America. I would say we have more great orchestras, certainly among the greatest opera companies and we have conservatories where we’re producing an extraordinary level of students. A far higher level than when I was in conservatory. We have an extraordinary supply. What has atrophied is the demand. I’m not talking about music education for professionals. I’m talking about music as a part of everybody’s education.”

Allan Kozinn: What A Spiked Review Says About The State Of Arts Coverage Today

“The sequence of events and their timing, as well as the correspondence, tell us a lot about how criticism is perceived in the current journalistic ecology. It also shows us to whom editors – or at least, one editor – feel beholden, and shockingly, it is not his writer or, by extension, the readers who expect to find reviews of major productions shortly after they open.”

This Violinist Spent A Month Playing Free Pop-Up Bach Concerts With No Promotion Whatsoever (And It Was A Raging Success)

Michelle Ross: “A lot of times we talk about outreach in classical music: ‘How can we break whatever preconceptions people might have? How can we bring classical music to people who aren’t exposed to it?’ This concept of outreach is really important, but I think labeling it as outreach can sometimes make us feel like we have to explain ourselves or we have to explain the music. And I firmly disagree with that.” (Q&A with video clips)

How Technology Is Shaking Up Classical Music

“What changes does the new digital technology reflect or enable? Conversations with some of classical music’s most passionate advocates of the gadgets and with developers like forScore and Tonara that write applications for them reveal a number of developments. The traditional top-down structure of teaching has been shaken loose. “