Tristan Und Isolde Is The Ultimate Opera

“As well as enlarging – or perhaps subverting – the subject matter of opera, Tristan und Isolde also marked a turning point in the history of music. The opening chord in the prelude, the so-called Tristan chord, is seen by some as the beginning of modern music, introducing chromaticism, dissonance and, according to the composer Arnold Schoenberg, even atonality.”

Professional Byzantine Chant (!) Choir In Oregon (!) Has Thrived For 20 Years

“[Cappella Romana], the Portland-based vocal ensemble, which performs annual concert series in its hometown and Seattle, has released more than 20 recordings. Its tours have brought the group’s sometimes ethereal, sometimes austere, always powerfully moving music to venues such as New York’s Metropolitan Museum of Art, Los Angeles’ Getty Center, the Smithsonian Institution, Stanford and Yale universities and festivals throughout Europe.”

When The African-American Museum Presents ‘African-American Music’, What Exactly Will That Mean?, Asks Anne Midgette

“When it comes to musical performance, the Museum’s tacit mandate is to spotlight all of African American music – which is like trying to put a frame around a living person and call it a portrait. It’s tough to pick ‘African American’ music out of the fabric of American musical history, of which it is an essential, even dominant part. Concerts at the Oprah Winfrey Theater could conceivably range from opera to hip-hop, jazz to country, R&B to classical.”

‘The Big Data Jukebox’ – AllMusic, The Project That Makes The Likes Of Spotify And Pandora Possible

“Discovering new kinds of music is easier than ever … But having all this music at our fingertips was only part of the equation – we needed to be armed with information.” And where is all that information kept? “Today, we talk about AllMusic, one of the internet’s first – and best – archival projects.”

I Hated Mahler – So This Is How I Tried To Understand His Music

Barton Swaim just didn’t get it. So he made another pass at the composer’s 9th symphony. “Mahler’s achievement, if I’m right, was to translate the things that make human life by turns fulfilling and painful, elegant and stupid—the tawdriness, the chaos, the dignity and comedy and splendor—into exquisitely beautiful works of art. They are overpowering and outrageous in their scope, but beautiful all the same. Six months ago I didn’t see the point of Mahler’s music. Now, as I write, I hear the jokey pulsations and majestic horn trills of the Ninth’s second movement in my head, and it’s hard to see the point of anybody else’s.”