The Small Town Orchestra Manager That Could

Jane Hill runs the small Eureka Symphony in California. She’s pragmatic, creative, and has strong ideas about what her orchestra’s role in her community is. “Hill’s notion is that a programming strategy must be flexible and relevant but also ambitious. “Any small town orchestra having to focus on Pops concerts, film music, and country and western music to stay alive — I shouldn’t be critical but I really believe this — to me that means they’ve chosen to limit what they think the audience will buy, with the result that no one is paying close attention to broadening the classical-music taste and interests of the audience. Or the potential audience.”

No Instruments? These People In Paraguay Formed An Orchestra Using Objects From A Landfill

Recycled Orchestra and the focus of the documentary Landfill Harmonic. Founded by environmental consultant and guitarist Favio Chávez, the orchestra plays on instruments made from trash. Over the course of 10 years, the orchestra has grown from just a few musicians to over 35. The students have even performed with heavy metal band Megadeth and with Metallica.

Will Yet Another Symphony Strike This Fall? Ask Pacific Symphony Musicians

“The terms proposed by the orchestra’s management are punitive, Neeley argued. To play the minimum number of guaranteed services in their contract, symphony musicians are required to turn down other jobs when they are “on call” for some services, Neeley said. In other words, they might not be used for certain events but must keep those dates open nonetheless.”

Jaap van Zweden’s Global Dance

The conductor leads two orchestras on different sides of the world, and the disconnects aren’t just geographic. “The New York and Hong Kong orchestras are not just distant geographically — they are also at very different phases of their development, requiring different types of effort from their shared music director.”

Opera Is *Not* Too Posh And Exclusive, And If You Think It Is, It’s Your Own Damn Fault, Says Opera Boss

“I continue to argue incessantly with people who claim opera is for the rich, unattainable, impenetrable, elitist and from a parallel universe,” writes Michael Volpe, general director of London’s Opera Holland Park. “I swear and shout and stamp my feet – well, I used to, but I stopped doing that because it doesn’t work.”