The Brazilian Conductor Ensnared In The Web Of Political Graft Scandals Speaks Out

John Neschling, the child of Austrians who fled the Nazis in the 1930s, is a conductor and composer of film scores (“Kiss of the Spider Woman,” for instance). But now he’s been fired as artistic director at São Paulo’s opera house after he was accused in a corruption scandal: “I’m being attacked by liars and thieves in a witch hunt of the lowest caliber,” he says.

Hard To Believe, But The Met Opera Is About To Do Its First Opera Written By A Woman Since 1903

The Met hasn’t performed an opera written by a woman since Ethel Smyth’s “Der Wald” in 1903. (Read that sentence one more time, and think about it hard.) So it’s a major statement for the company to be adding Ms. Saariaho’s “L’Amour de Loin” to its history — though this is a slightly delicate matter, since she has long resisted being categorized (read: ghettoized) as a “female composer.”

How Vancouver Opera Is Navigating Uncharted Waters To What It Hopes Is The Future Of Opera

Last year the company announced it was moving to a festival format. General Director Kim Gaynor: “I don’t want to abandon our presence throughout the year. The festival I really believe in because a festival allows you to do things you can’t do in a regular season. But at the same time, we must maintain our traditional audience until they die or they go to Florida or Mexico to retire. We must do that because those audiences still are the lifeblood of the organization.”

Book Illustrators Demand Equal Status With Writers

Covers of novels are ‘revealed’ on social media with no mention of the illustrator, signings take place without both the author and the illustrator of a picturebook present, publishers forget to list illustrators on Amazon, and in a recent case the illustrator of Pigín of Howth by Kathleen Watkins, Margaret Anne Suggs was left off the Irish Book Awards brochure. This is not acceptable and needs to be addressed.