Ten Contemporary Operas By Ten Women

“I’ve often been referred to as ‘that impudent brat.’ You’re impudent when you’ve no claim to power. But does anyone call a young man ‘impudent’? Instead he’s ‘that gutsy fellow,’ and ‘gutsy’ in this context means he commands respect and attention. Some male presenters proudly broadcast: ‘Now we’re presenting an all-women festival’ or ‘Now we’re focusing exclusively on women conductors,’ and yet if their inner attitude is ‘Now we’ve done our part and may continue on as before,’ nothing changes.

L’Opéra de Montréal Works With Homeless To Make Art

“The goal of this is not to sell tickets,” OM spokesman Pierre Vachon says. Engaging with a marginalized population can only help the company clarify its purpose within the larger community, he says, while ideally reducing prejudice about the homeless. “What is the meaning of art in our time, how important is it? That’s the discussion we’re having now.”

The Harpsichordist Who Survived Three Concentration Camps And Communist Persecution

Zuzana Ruzickova fell in love with piano and harpsichord early – and then the Nazis took her family to Terezin (Theresienstadt). “She insists music helped her survive. She remembers writing down a small section of Bach’s English Suite No 5 in E minor on a scrap of paper when she left Terezin in a cattle truck bound for Auschwitz.”