Some People Have No Reaction To Music. Nada. Zip. Let’s Try To Understand This…

“Previous research shows that the vast majority of people who enjoy music show an increase in heart rate or skin conductance—where a person’s skin temporarily becomes a conductor of electricity in response to something they find stimulating. Musical anhedonics, however, show no such physiological change to music. A recent study, published in the Proceedings of the National Academy of Sciences, took those findings a step further by studying neural responses to music.”

A Couple Of Jazz Guys Sitting Around Talking… (And Then A Sexist Comment Bomb Goes Off)

The many online apologists for Ethan Iverson and Robert Glasper have been dismissing their sexist remarks as the clumsy gestures of good ol’ boys. But inadvertently sexist remarks, like inadvertently racist remarks, can be more telling, because they often point to more fundamental and systemic discrimination. The jazz world has a right — and, some would say, a duty — to criticize speech that promotes sexist culture, whether that speech had a malicious or benign intent.

Berlin’s New Gehry-Designed Boulez Hall: Music Of Intimacy And For Thinking

Frank Gehry’s oval design, with no stage, merely a center, genuinely seems to open up, in the spirit of Boulez’s long-held desire for a flexible salle modulable, the possibility of the “thinking ear”: to engage, to reflect, to make itself part of the performance. The greatest possible distance between the conductor and the most distant member of the audience (682 seats in total) is just 14 meters. There is intimacy—the intimacy, its initiators hope, of collaborative endeavor.

SXSW Says It Will Amend Its Artist “Deportation” Contract Clause

Following an avalanche of criticism over what some bands said was a “deportation clause” in its performance contract, the South by Southwest festival in Austin, Tex., which starts Friday, released a statement on Tuesday saying that it would amend its agreements starting in 2018. The organizers of the festival, however, furiously denied that the language in its contracts over the past five years had been designed to encourage the deportation of foreign artists visiting the United States to perform at its event.