Alex Klein had been principal oboist at the CSO before – from 1995 to 2004, when he had to resign due to the effects of focal dystonia. After a dozen years of recovery and retooling his technique, Klein re-auditioned for and returned to his old job last year, with the usual two-season probationary period. But the musicians’ tenure review committee and music director Riccardo Muti (who has final say) decided last month not to keep Klein on.
Category: music
New York City Opera Will Finally Stage The ‘Brokeback Mountain’ Score It Commissioned
“The new group that reorganized City Opera and brought it out of bankruptcy announced Wednesday that it would give Brokeback” – which Gérard Mortier commissioned from composer Charles Wuorinen during that brief period he headed the company before it went bankrupt – “its United States premiere in the spring of 2018, at the end of its second full season back in the business of staging operas.”
Utah Symphony Keeps Thierry Fischer For Three More Seasons
“Fischer’s current contract [as music director] was set to expire at the end of the 2018-19 season. The new contract will mean Fischer will continue programming and conducting the Utah Symphony’s concerts through the 2021-22 season.”
The Mythologies About Neural Benefits Of Music
“There is a gap between the state of research in neuroscience related to music education, and the knowledge of current and future music teachers about these findings,” writes a research team from the Hanover University of Music led by Reinhard Kopiez. It reports instructors are particularly prone to accepting false assertions when they are accompanied by certain brain-related buzzwords.
The Great Violin Collector Of Seattle
“Over the years he has owned eight Strads, eight del Gesùs, and 14 other instruments (violins, violas and cellos) with names such as Bergonzi, Guadagnini, Amati, Rugeri, Montagnana and Testore. His bow collection included 17 Tourtes, 14 Pecattes and seven others, most collected with the help of bow experts Paul Childs and Charles Beare.”
Aaron Copland, The Sound Of Americana, And Sen. Joe McCarthy
In this “United States of Anxiety” podcast, Sara Fishko talks with composer John Corigliano about how Copland developed a popular style that came to represent Americana in the popular mind and even got tied up with politics – and what happened to that style (and Copland) when the age of the Red Scare arrived.
Cincinnati World Piano Competition Shuts Down After 60 Years
“The chief reason was financial, said Jack Rouse, chairman of the board. Despite generous donors in recent years, the competition was unable to raise the $300,000 needed to continue to exist.”
How Two Guys Built A Successful Opera Festival From Scratch In A London Park
“The essence, I think, is as little bullshit as possible – an emotional approach but with real seriousness. We agree that the audience comes first and that you carry them with you rather than forcing things down their throats.” Reporter George Hall talks to Michael Volpe and James Clutton about Opera Holland Park, which puts on up to half a dozen productions every summer.
How Pop-Up Productions Are Making A Whole New Audience For Opera
“All these venues have a huge cult following. People might want to take their partner for a beer and a bit of opera, or look for a boutique experience, or just a fun night out. It’s entertainment: we want people to have a good time. In this modern age of people crafting their own experience, it will be different for everyone who goes to it.”
The Beatles’ ‘A Day In The Life’ – An Exegesis
“The song has so much happening that when I casually listen I feel the accumulated effect, but attempting to really figure out what’s going on, I fear may take the fun out of it.” Nevertheless, Nicholas Dawidoff has a go at it, because it is, as he writes, “my idea of a perfect song. It is the epitome of The Beatles’ master building, of fitting stone upon stone, each section troweled together with such ingenuity and care that upon completion the whole thing feels seamless, a structure not built at all, but a whole that simply was.”
