Category: music

“He treats Mr. Glass’s music like a sculpture, worth studying from all angles in search of new interpretations and surprises. ‘I came to the conclusion that it’s not a repetition,’ Mr. Olafsson said of Mr. Glass’s music. ‘It’s a rebirth. It’s not treading the same path, but traveling in a spiral. That’s the image I have.'”

“The Polish composer and pianist Frédéric Chopin was no doubt regarded as a one-of-a-kind virtuoso. Which is peculiar, in a way, since he also stole freely and transparently from other artists. [Sara Fishko traces] the various influences that went into Chopin’s signature style.” (audio)

“The boat belongs in Washington, a city both blessed and socially determined by its rivers. The nation’s capital was founded at the confluence of the Potomac and the Anacostia, near the ports of Georgetown and Alexandria, and is home to the country’s oldest naval base. At times, the city has embraced its river setting, most significantly in 1901 when the McMillan Plan created the Mall, new parks along the waterfront and Memorial Bridge, which created a symbolic (though often illusory) post-Civil War rapprochement between the North and the South by joining the Lincoln Memorial to Arlington Cemetery.”

“Back in the 16th century, the composer and lutenist John Dowland was similarly popular – pressing into a vein of moping soppiness that made him famous, and has served English musicians ever since.” (But the first? Perhaps the author forgot about the troubadours.)

“One in three [British] adults responding to an online poll highlighted ‘aloofness’ as a challenge for the artform, and a similar percentage said they thought major classical events only ever happened in [London]. 40% of respondents said concerts need to be performed in more everyday places – such as parks and clubs – for classical music to remain relevant.”

There is no precise data on the number of performers who have gone under the knife over the years. But several surgeons told me they estimate that vocal cord surgery has been performed on thousands of pop, rock and classical singers, as well as on theatre and stage musical stars.

“Between the councils, organisers, security and ticket companies, it’s often hard to know who was actually at fault, and although it might seem reductive to see individuals to blame for large-scale disasters like Hope & Glory, it might be not too far from the truth.”

“The new Berlin chief, in his mid-forties, is as close as you can get to being an unknown commodity. He has never given a media interview (my request for an off-the-record coffee was coolly declined) and has made just five commercial recordings. He refuses to play maestro games — you conduct my orchestra, I’ll conduct yours — and is no respecter of vanities. When the Berliners handed him Sir Simon Rattle’s job, Petrenko swiftly renewed his Munich contract until 2021. He’ll take Berlin in his own time.”

There is a remarkable number of new works being commissioned. Some companies, such as Houston Grand Opera and San Francisco Opera, have long traditions of fostering new operas. There are indispensable groups you should know about, foremost among them Beth Morrison Projects and American Opera Projects that exist to create new opera. Visit their websites often.