Hip Hop’s TV Takeover

Is the question why now, or is the question why did hip hop, which has dominated the music scene for decades, take this long to take over the small screen? “Hip-hop is the soundtrack of at least one, probably two generations now. … People used to be afraid of it or consider it the music of gangsters or thugs, or whatever. But now, it’s part of everything … and everyone under the age of 40.”

San Francisco Suddenly Finds Itself Searching For Two New Major Music Directors

Both the Opera and the Symphony are on the hunt for new music directors. “There are some telling differences between the two searches, which can be traced back to the different roles filled by a music director in a symphony orchestra or an opera company. But the collective upshot remains the same — sometime around three years from now, the musical profile on either side of Grove Street is going to look and sound very different.”

How The Soundtrack To ‘The Graduate’ Created A Revolution

The sound defined an entire generation of media-makers and audiences. “Previously, traditional orchestral film scores were used simply to provide background music for onscreen action. So The Graduate’s heavy reliance on the folk-rock songs of the popular duo Simon and Garfunkel was unprecedented: By the time the film was released, many of the major tunes were already well known.”

No British Violinist Makes The Menuhin Finals

Britain has been underfunding and defunding music education for years, but suddenly it’s all very surprising that not a single violinist from the country has made it to the shortlist of the Menuhin Competition. Will this change things? (Like, funding things?) “The failure has sparked renewed calls for the government to invest more in musical education to let the next generation compete on the world stage.”

Remembering The Man For Whom Leonard Bernstein Left His Wife

In an article previewing the coming centennial year of the composer-conductor, Los Angeles Times classical critic Mark Swed devotes a few paragraphs to Tom Cothran, who was a high school friend: “I don’t know how Bernstein ultimately felt about Tom. He was a verboten subject. Nor could I ever get Tom to talk much about the personal side of Bernstein. He felt it was his job to keep Bernstein from being too neurotic, but he may well have made him more so in the process. Still, as Bernstein’s inner monster grew, so, too, did his giving side. Shamans can be like that.”