Let’s Check In With The American Running The English National Opera

So things are … interesting … for the artistic director: “Kramer, who has never before held a position at an opera house or run a major arts organization, will need all his optimistic, feisty exuberance to prove himself and rescue the company. Its subsidy has been slashed, and it has bled administrative and artistic executives in recent years, curtailing its offerings, renting out the Coliseum for longer stretches to gin up revenue, and threatening its high reputation.”

How To Win Eurovision: Do The Chicken Dance

As 200 million people watched, Israel’s Netta Barzilai overwhelmed the “carnival of camp” competition – “Denmark featured singing Vikings, Ukraine’s contestant rose from a coffin to play on an enormous flame-wreathed piano, and an Estonian opera singer performed in a gown 26 feet in diameter” – with a song that she said was inspired by the #MeToo movement.

Doing Sportscaster-Style Commentary On A Classical Music Competition (Yes, It Can Work)

Andrew Mellor writes about the commentary he did for the live video stream of this year’s Malko Competition for Young Conductors. “Much like a pundit pitting the poor defensive track record of West Ham against the unstoppable firepower of Manchester City, I tried to ascertain what dangers the prescribed works would pose for each contestant, and tapped the expertise of other journalists in so doing. What’s the worst thing that can happen in the slow movement from Beethoven’s Ninth Symphony?”

Sharks Recognize Jazz, But Classical Confuses Them: Study

“Researchers at Sydney’s Macquarie University … trained juvenile Port Jackson sharks to swim over to where jazz was playing, to receive food. It has been thought that sharks have learned to associate the sound of a boat engine with food, because food is often thrown from tourist boats to attract sharks to cage-diving expeditions – the study shows that they can learn these associations quickly. The test was made more complex with the addition of classical music – this confused the sharks, who couldn’t differentiate between jazz and classical.”

James Levine’s Broadcasts Pulled From Met Opera’s Sirius XM Channel

In the wake of the conductor’s sexual abuse and harassment scandal, the Met has withheld from broadcast on the satellite and online radio network all of the recorded performances Levine conducted during his 40-year career at the company. Management said that Levine’s recordings “will be reintroduced to the programming at an appropriate time.”