– are due for a drubbing over their management of the company as new government investigation into the opera’s affairs is completed. – BBC
Category: music
NEW AND NEWER
The Netherlands Opera closed out last year with a new opera, the premiere of Louis Andriessen’s “Writing to Vermeer.” It opens this year with another premiere, and much praise. – Financial Times
CLASSICAL CROSSOVER
Musicians from the “high” and “low” ends of the spectrum are increasingly experimenting on one another’s turf with sometimes interesting results. – Singapore Straits Times
THE TASTE OF OPERA in Berlin –
– comes in six flavors. The city’s smaller houses are distinctively different and very successful. – Die Welt
NOT TO WORRY, NOT TO WORRY
Chief executive of Covent Garden downplays crisis over his building and says problems are to be expected of any new performance hall; that the Opera House will work magnificently. Further, ticket sales are on target to fill 97 percent of the house, and he’s confident in the company’s choice of repertoire. – Financial Times
GENERAL CULTURAL COLLAPSE
South Africa’s National Symphony Orchestra plays its final concert. The rest of the country’s orchestras are teetering and may follow the National out of business within a month or two. Critics wonder if this signals the general collapse of the country’s arts institutions. – South Africa Daily Mail and Telegraph
- A changing era and a changing culture. – New York Times 02/01/00
ONE HIT WONDERS:
Pondering the mysteries of the “standard repertoire.” Is it a matter of quality? Why do good composers like Dukas or Orff or Mussorgsky have one of two pieces that are performed but nothing else? – Philadelphia Inquirer
CYBERORCH
The Dallas Symphony will hit the web playing. Orchestra to webcast performances in $10 million web initiative. – Dallas Morning News
EARWORMS
Why is it that certain tunes – and bad tunes at that – get stuck in our heads? As a student of Freud’s put it: “Whatever secret message it carries, the incidental music accompanying our conscious thinking is never accidental.” – Feed
WHERE THE CONTEMPORARY THRIVES
If it’s January and it’s really cold outside, it must be Winnipeg. It used to be necessary to marvel at the enormous crowds that flock to the Winnipeg Symphony’s annual festival of contemporary music in January. But after eight years, one of North America’s most successful new music festivals has firmly established itself. – Toronto Globe and Mail
