A RESPONSIBLE ACTION?

Despite the fact that much rap music contains lyrics that are violent, degrading to women, Jews, whites and blacks, record labels have stood silently by while they have raked in millions of dollars from top-selling rap artists. Now Universal Music Group has told its “rap recording group the Murderers that it wouldn’t release their new album until they removed anti-police and anti-gay slurs from their lyrics.” If they’re being so responsible, some rappers have pointed out, why don’t they object to the “N-word”? – Los Angeles Times

SINGER X IN Y RECITAL

After Metropolitan Opera soprano Deborah Voigt cancelled her performance with the Y Music Society (which presents only one singer each season on its Carnegie Music Hall recital series) untested soprano Isabel Bayrakdarian filled in to take her place. The 25-year-old Canadian “is much in the news, in fact, as she will make her New York operatic debut this week in a concert version of Herold’s rarely-heard ‘Zampa.'” – Pittsburgh Post-Gazette

THE REHEARSAL PROBLEM

Classical musicians are under pressure to produce better music with less rehearsal time. “Conductors could argue that they go into rehearsals with lower expectations because of the time pressures. What we are talking about is not shoddy workmanship; it is a culture in which routine music-making has become a fixture in the artistic climate and orchestral economy.” – Sunday Telegraph

TAKING IT IN STRIDE

The little-known symphonic compositions of jazz pianist James P. Johnson (who perfected “stride” piano, “so-called for its distinctive, striding, left-hand patterns, and imitated by thousands of keyboard players”) have been unearthed by American conductor Marin Alsop. She has secured the first modern performances of much of it with her own Concordia Orchestra. – The Herald (Glasgow)

BRAND “X”

The Zefiro Ensemble is part of a growing trend among “authentic” performers of Baroque music: unlike the traditional chamber orchestra model of a “group of musicians that rehearses in a particular city on a regular basis and sets out from there to give concerts,” Zefiro’s players reside in countries throughout Europe and consider themselves “as operating under a brand name.” Sounds awfully 21st century for a group whose mission is to recreate the sounds of the 17th-century masters. – Ha’aretz (Israel)