BETTER LIVING THROUGH STREAMING

American orchestras’ proposed agreement about streaming their performances over the internet is a forward-thinking idea for an artform generally thought to be mired in the past. “This whole agreement was not driven by the idea that this is a major new revenue source, but how can you use this to sell tickets and raise money to keep subscribers loyal. We want to find ways to use this new Internet technology to generate new audiences and keep our institution alive.” – Chicago Tribune

A LANDSLIDE VOTE FOR NIXON

John Adams’ “Nixon in China” just closed – but not before it became the hottest ticket in London. The opera’s success “has given pundits here yet another opportunity to engage in one of their favorite pastimes: sneering at America. ‘Nixon in China’ has been taken as further proof among some Brits that the United States, for all its wealth and power, has never quite matched the worldly sophistication of its mother country.” – Washington Post

SUCCESSFUL ALL TOGETHER

In Europe and America, the ensemble opera company is virtually extinct – the ease of jet travel and the huge rise in fees have made loyalty to a single company almost impossible. “Yet in cash-poor Eastern Europe, great operatic ensembles survive and even flourish.  The Kirov Opera  in St Petersburg  is a company rich in big voices of a splendour that is virtually extinct in Europe and the US, as well as a superb chorus and many promising newcomers.” – The Telegraph (UK)

MODERN STRADIVARIUS?

A biochemist claims he’s discovered exactly why violins made in Stradivari’s day are so magnificent. And he’s begun turning out his own instruments, which have been “bought for as much as $15,000 apiece and reviewed favorably by members of the Cleveland Quartet, Chicago Symphony, and New York Philharmonic. Yehudi Menuhin played one, on loan for 15 years.” So why aren’t musicians flocking to Joseph Nagyvary’s workshop? – Discover Magazine

DIGITAL REALITIES

“For all the record companies’ bleating about lost sales, nobody is about to starve. But in highlighting how hard it is to control digital content once it is let loose on the Internet, Napster and its sort are merely the tip of a far bigger iceberg. As books, videos and other digitisable works go online, the same problems over copying and distribution are likely to arise. And the biggest difficulty is that, even if Napster, say, were shut down by the courts, many other, more powerful, systems are waiting to take its place that have been designed to be still harder to control.” – The Economist