CURTAIN COMING DOWN

Despite recent artistic success, the Scottish Opera will have to pare back the second half of its season because of ongoing financial difficulties. “The winter shutdown is a repeat of last year when the company was forced to stop productions due to a crippling financial crisis.” – The Scotsman

LONDON’S CONCERT HALL BLUES

An “important announcement” at London’s South Bank today proposes to offer an acoustic fix for the concert hall there. But the promises have dragged on for years, and critic Norman Lebrecht doesn’t expect much. “To the left, Tate Modern heaves. To the right, the Millennium Wheel attracts day-long queues. In the middle, the nation’s foremost concert hall moulders.” – The Telegraph (UK)

More opinions on the new “Dead Man Walking” opera premiere at San Francisco Opera last weekend

  • “The music is rich and emotionally charged, betraying varied influences from Mussorgsky to Britten and Ravel, and carries enormous atmospheric power.” – The Guardian
  • “A triumph beyond what even its most optimistic boosters could have predicted. – San Francisco Chronicle
  • “For a first opera Heggie has done much right. His bitter-sweet music puts him in the line of happy-to-please American opera composers such as Menotti and Barber, which will not delight hardline critics, but he knows how to tell a story, how to hold the audience’s interest and rouse its emotions.” – Financial Times
  • “This retelling is really a shrewd, highly marketable product: a love story with unlikely protagonists. It was composer Jake Heggie’s music and playwright Terrence McNally’s libretto, however, that accounted for its uproarious success with the opening-night audience.” – Atlanta Journal-Constitution