THE ART OF SELF PRESERVATION

“These days, one of the tasks with which orchestras find themselves saddled is the nearly impossible one of educating audiences. Schools aren’t doing it, and neither are most parents. Orchestra musicians themselves may resent the kind of musical spoon-feeding they are called on to do by the organization for which they work. But even many of them realize that it’s a question of self-preservation; for better or worse, you don’t have to wait for Aunt Buffy to will you her orchestra subscription to get a seat at the Academy of Music.” – Philadelphia Inquirer

WHEN FLATTERY GETS YOU NOWHERE

A regularly outspoken critic of the Royal Opera House’s former management, Raymond Gubbay has applied to run the institution after Michael Kaiser’s departure. In his application Gubbay called the Opera House “the preserve of the rich, the influential and those concerned with corporate entertainment.” The Times (UK)

I CAN FIX THIS: Gubbay “calls for a higher status for the Executive Director which would put him or her above the Music Director and the Artistic Director of the Royal Ballet. He also wants more performances, longer production runs and cheaper seats.” – London Evening Standard

RACHMANINOFF IN PASADENA

A major new international piano competition is planned for Southern California. The competition, scheduled for March, 2002, invites pianists ages 18 to 32 to compete for cash prizes, as well as the chance to perform with the Moscow Radio Tchaikovsky Symphony Orchestra and the State Capella Choir of St. Petersburg. The competition is expected to cost $3 million. – Los Angeles Times

FAMILY FUGUE

JS Bach had 20 children, and it’s natural to ask how he managed to find time to fit composing in amongst his parenting duties? “For him, children were not an unwelcome distraction from other responsibilities. On the contrary, his role as a parent was a central part of his life and was intimately entwined in his aesthetic outlook. Indeed, understanding Bach’s attitude towards parenting can in turn help us understand his musical attitudes in general.” – The Idler

WHAT PHILOSOPHY SOUNDS LIKE (NOT SO PRETTY)

“If Milton Babbitt and John Cage are to be believed, it is almost beside the point to talk about whether their music sounds good or sounds bad. For both composers would admit that their music does not ‘sound good’ in the ordinary sense: instead, they would challenge that notion, and replace it with highly philosophical views that are meant to undermine our ordinary aesthetic judgments.” – Boston Review