Is orchestral music doomed? Will school recorders never blossom again? Yikes: “The evidence we have here is that instruments such as the French horn and double bass are becoming endangered.”
Category: music
A Tuba Player’s Journey From One Of Baltimore’s Poorest Neighborhoods To The New Mexico Phil
Richard Antoine White slept under trees and on friends’ couches with an alcoholic mom when he was a kid. But when foster parents took him in, he found out that he was good at music – and his path has provided a Baltimore documentary duo with a great project. White mentors other kids in need of a hand up, but also, and this is a fun one, he is “particularly passionate about baroque music (he has transcribed works of Bach for the tuba).”
3D-Printed Plastic Violins Make Their Début In Ottawa [VIDEO]
There are only so many Strads in the world, but there are a lot of 3D printers, and the Ottawa Symphony decided to take advantage of the printers to create new violins and violas. “It turns out they have a slightly different pitch.”
Heavily-Marked Glenn Gould Score Of Bach’s “Goldbergs” Turns Up
“I would call this the equivalent of a shooting script of a movie,” said the critic Tim Page, a professor of music and journalism at the University of Southern California and the editor of “The Glenn Gould Reader.” “He keeps track of which takes he likes, and how long they are.”
Rubin Institute Music Criticism Prizes Awarded
Winners of the 2018 Stephen and Cynthia Rubin Institute for Music Criticism have been announced. Jennifer Gersten, a DMA candidate at Stony Brook University, was chosen by a panel of leading national music critics to receive the $10,000 Rubin Prize in Music Criticism for demonstrating outstanding promise in music criticism. Brin Solomon, an MFA candidate at New York University, was selected as runner-up and received a $1,000 award.
What’s With This Obsession With Greatness In Classical Music?
Anthony Tommasini: “Classical music has justifiably been criticized for its obsession with greatness, with certifying a repertory of canonical masterpieces that get played again and again. I, for one, go back and forth about how much this quality should matter, let alone how we should determine it.”
Gustavo Dudamel, At Mid-Career
When Dudamel conducts an orchestra these days, he feels a ghost at his shoulder. The ghost belongs to his mentor, the Venezuelan conductor and educator José Antonio Abreu, who gave him both his musical training and his philosophy of life, and who had died just a few weeks earlier, in March, at age 78. “I lost Maestro physically,” Dudamel says, “but every time I do this” — he raises his hands as if he’s about to conduct — “a levare, to the orchestra, he’s there. He’s in the sound. I can hear him all of the time.”
Body-Shaming In Opera Business Is Very Real, Says Soprano Lisette Oropesa
“Back in 2005, the Cuban-American singer — sought by some of the world’s most prestigious opera houses — weighed 95 kilograms (210 pounds). Now, she weighs just 56 (123 pounds). … ‘I was told, ‘You need to fix the weight problem if you want to have any chance at all’,’ she said of an early experience at New York’s Metropolitan Opera House.” And she did fix it: she started running marathons.
Baltimore Symphony Musicians Go Public With Fight Over New Contract
They’ve begun playing in street medians and leafleting concertgoers to bring attention to the fact that they’ve been working without a contract since early September. “The players are seeking a multi-year agreement that, in addition to a boost in compensation …, will implement previously negotiated terms regarding the number of full-time musicians in the BSO. The twice-extended contract called for a total of 83. (In 2000, the total was 96, plus two librarians.)”
Trumpet Practice Does Not Constitute Noise Pollution, Rules German Federal Court
“The neighbors of a professional trumpet player had taken the musician to court, complaining about the noise pollution caused by his practicing. Germany’s highest court ruled in favor of Siegfried Ratz – within reason. The decision from the BGH in Karlsruhe reads that the interests of the accused were not in direct conflict with those of the plaintiffs and that a balance between the two parties could only be found by ‘limiting the amount of time spent making music’.” The musician and his neighbors must now agree to a schedule.
