The Industry Gets Direct

The recording industry is taking its anti-piracy message directly to song-swapping consumers, sending notices to thousands of file-traders informing them that they can be easily identified and prosecuted if they continue to download copyrighted material without paying. The warnings are the latest salvo in a strange and disjointed campaign against piracy by the large record companies, and come in the wake of a court’s recent decision that file-trading services may not be held liable for the actions of their customers.

Italy Gets Tough On Pirated CDs

Italy is cracking down on counterfeit music recodings. “Street vendors could be fined 103 euros (£70) for every pirate copy they sell and may also face between six months and three years in prison. Buyers of illegal CDs, who up until now have gone unpunished, will be fined 154 euros (£106) if caught buying illegal CDs and repeat offenders could be hit with a fine of 1,000 euros (£700) when the new law is introduced on Tuesday. Italy has one of Europe’s largest counterfeit markets and the music industry estimates that one in four compact discs sold is pirated.”

No White Knight For Florida Philharmonic (So Far)

So far no one has stepped forward to help bail out the Florida Philharmonic, which needs to raise $20 million by Friday so it can stay in business. “The Philharmonic, which has run deficits ranging from $900,000 to $3.6 million each year since 1999, needs about $4 million right away, Lewis said. The orchestra can make its May 9 payroll but will run out of money before it can pay employees on May 23. ‘What is difficult for me as a potential donor . . . is to hear that the orchestra has been so badly managed before and now we should trust you to make a better orchestra.”

ENO Chief Not Fired Says Company

“A spokeswoman for ENO denied reports in Monday’s Times newspaper that Ms Felton had been sacked, saying she had been given a new advisory role. ‘Caroline Felton has been on a monthly contract and remains on a monthly contract. She will be still be working in a part-time capacity, probably until the end of the season’.”

Frank Gehry’s “Bionic Bunny”

Justin Davidson thinks Frank Gehry’s new performing arts center at Bard College looks “vaguely mammalian, a mound of muscled curves – slick and powerful like a sea lion, but also armored, robotic. Gehry has built a bionic bunny crouching at the edge of a field.” So how does it sound? “Fill the grape-colored stage with musicians, and they will make more sound than an audience can absorb. And yet, perhaps, that’s just the sort of surplus a small, arts-oriented school like Bard should have. There’s something terribly attractive about the notion of a house so full of music that notes try to bust through concrete walls.”

Jazz Newcomer Signs £1 Million Record Deal – Can He Possibly Be Worth It?

Last week 23-year-old British jazz singer Jamie Cullum signed a £1 million recording deal. A jazz singer. £1 million. Why was Universal prepared to pay so much? “It was desperation. We’d have done anything to sign him. We’d have bungee-jumped off a cliff, if necessary. He’s the most talented musician we’ve ever come across.”