Category: music

Greg Sandow wonders why the announcement of Andrew Litton’s departure from the Dallas Symphony wasn’t rougher on his accomplishments: “So here’s the truth. Litton’s not thought of as a good conductor. He can make a splashy effect; that’s about it. Musicians who’ve played for him are damning. Administrators at orchestras where he’s guest-conducted are equally damning. If Litton were a pop musician, everything I’ve written here would have been in the press long ago. Everybody would have known it. Dallas would have been abuzz. Which leads me back to something I’ve said here before. In classical music, there’s very little accountability. We have to stop treating classical music as if it were something sacred – or something that needs to be protected – and start describing things the way they really are.”

The Goosdspeed Opera House has reliably prospered for 127 years in its present Connecticut home. “But now the theater is considering building a new stage in nearby Middletown, a re-energized small industrial city that has offered the Goodspeed the moon in exchange for a share of its star power. The Goodspeed’s leaders were surprised and impressed by the town’s offer, which includes a $5 million grant, expedited permitting and free land downtown.”

“The Demon Barber of Fleet Street has come to rank with Wozzeck and Peter Grimes in opera’s catalogue of 20th-century tragic heroes,” writes Rupert Christiansen. And thus “Sweeney Todd” comes to the Royal Opera House at Covent Garden. The dialogue is being miked…er, make that “reinforced.” Why? Audiences are lazy today, says the production’s conductor. “It’s very destructive. I recognise that synthesizers are useful, but they eliminate instruments like the harp or guitar, and we’ve lost the possibilities of creating a deep string sound. It’s a joy at Covent Garden to be playing Sweeney Todd with a 50-piece orchestra.”

“Many concert-goers would agree that there tend to be more bad encores than good. There’s nothing worse than an indifferent encore after an indifferent concert, when all one wants is a stiff drink. There’s a particular sort of heart-sinking moment when an overkeen recitalist settles back to their instrument, having taken only a single curtain call. The last gesture in a concert is as potent as the last sentence of a book: you take the atmosphere of it out into the world with you, and if the final encore is crass or inappropriate, it can undermine the whole of the rest of the concert.”

After years of delays, Venice’s La Fenice opera house, which was burned down eight years ago, has been rebuilt and reopened. “Standing amid the charred rubble on the morning of January 30 1996, the then mayor of Venice, Massimo Cacciari, pledged that La Fenice would be rebuilt “com’era, dov’era” (as it was, where it was). And, within the bounds of the possible and desirable, that is exactly what has been done.”

“A stunningly beautiful building La Fenice certainly is. Ingeniously wedged into a tiny space surrounded by canals just to the west of St Mark’s square, it had only 814 seats, now 990 (compared with La Scala’s or Covent Garden’s 2,000). With its curves, its rococo decorations and its five levels of blue-and-gold boxes, galleries and its crystal lamps, it radiates a matchless theatrical warmth. But the reason the Venice opera house has a special place in the hearts of opera lovers is also the reason why it burned to the ground in January 1996.”

MP3 players come in all sizes and shapes these days. “For some people, MP3 players represent the physical endgame of music collecting, where there’s a vast stockpile of music at hand but no CD towers or groaning shelves of vinyl. In extreme cases, they also mark the end of an old reliable gift-giving strategy; what’s the point of buying a CD for someone who snaffles all the tunes they want from the Web?”

The Minnesota Orchestra posts a $2.4 million deficit, its fifth shortfall in five years. The orchestra says that this season it won’t end up in the red. “We put together a budget that was balanced, and we believe in it.”

Beethoven’s Opus 127 String Quartet has sold at auction for just over $2 million. “The scherzo manuscript of the quartet is clearly a working document, with smudges, parts crossed out and late alterations added. Prince Galitzin of Russia, who played cello, commissioned Beethoven to write three quartets in 1822, but the composer was inspired to produce five.”

No one artist dominates this year’s Grammy nominations. “The most nominations any artist received was six, with four performers tying for that amount. Three were from the rap world — Jay-Z, OutKast and Pharrell Williams of the Neptunes — and the fourth was the R&B singer Beyoncé.”