Discounting the utterly depressing yet joyous – and always voted the number 1 Christmas song in the UK – “Fairytale of New York,” even Joni Mitchell admitted, “We needed a sad Christmas song, didn’t we? … In the ‘bah humbug’ of it all.” – The Washington Post
Category: music
This Year’s Classical Grammy Nominations
The Seattle Symphony leads all orchestras with three nominations — two for its present music director, Ludovic Morlot, in Aaron Jay Kernis’ traditionally shaped Violin Concerto with soloist James Ehnes (in the classical instrumental solo and contemporary composition categories), and one for its future music director, Thomas Dausgaard, in Nielsen’s Symphonies Nos. 3 and 4 (orchestral performance), a strong opening entry for a complete Nielsen cycle. There were no nominations for the Los Angeles Philharmonic, which has recorded little lately. – Los Angeles Times
Barrie Kosky: “Opera Is A Dream”
“Opera is an incredibly sophisticated art form that’s developed over 500 years. So there’s no one audience. If you want to just sit there without knowing anything about it and watch the pretty pictures with music at the centre, you are allowed to, great. If you want to do two years of research and study the programme and the libretto, great. And if you want to compare it to the 20 other productions that you’ve seen in the last five years, that’s great too.” – Bachtrack
For Solzhenitsyn’s Centenary, Bolshoi Presents New Opera Of One Of His Novels, Conducted By His Son
One Day in the Life of Ivan Denisovich, adapted by composer Alexander Tchaikovsky (no relation) and led from the podium by Ignat Solzhenitsyn (principal guest conductor of the Moscow Symphony and conductor laureate of the Chamber Orchestra of Philadelphia), “[is] staged in the round in the Bolshoi’s chamber theatre [and] sees prison guards patrol balconies behind barbed wire and searchlights roam the orchestra pit.” — Yahoo! (AFP)
World’s Richest Chamber Music Prize Discontinued After Only Three Years
“The M-Prize, a chamber music competition with $100,000 grand prize [and $200,000 in total awards], based at the University of Michigan, School of Music, Theatre & Dance (SMTD) in Ann Arbor, will not be returning for a fourth edition in 2019. … It was launched by Sphinx Organisation founder Aaron Dworkin, who had then [in 2015] just been appointed dean of the SMTD. His tenure was shortlived, however, and it is speculated that the M-Prize was always unlikely to survive without his patronage and fundraising network.” — The Strad
A YouTube Channel To Share And Promote New Opera
On the channel, called MyNewOpera, artists and fans will be able to watch and upload new operas, curate and share their own playlists and view other artists’ playlists. The initiative is the brainchild of UK-based opera production company Tete a Tete, however it is hoped the channel will encourage international collaboration. – The Stage
Could We Unite America Around Orchestras?
“As a secular American living in Manhattan, I’m a stranger to the senator’s world of church and picnics. I worry that religion may be as much divisive as binding in America’s map of red versus blue. My professional world is one of orchestras (with which I work) and cultural history (about which I write). My perspective suggests another opportunity for healing—regaining a lost “sense of place” and shared American identity via our history and culture. And, yes, I mean high culture.” – The Weekly Standard
Musicians’ Union’s Largest Local Votes To Throw Out Old Leadership
“It was the first contested election in nine years at Local 802 of the American Federation of Musicians, and it could cause national ripples. Adam Krauthamer was elected president with 67 percent of the vote, beating Tino Gagliardi … in a stunning upset, amid concerns over the underfunded musicians pension plan and broader changes facing music, the original gig economy.” — New York Times
Osmo Vänskä To Leave Minnesota Orchestra In 2022
The Finnish conductor, now 65, will have been the orchestra’s music director for 19 seasons when his current contract expires. Over those years, he brought the orchestra to international renown and Grammy Awards, led groundbreaking tours to Cuba and South Africa, and stood with the musicians through the lockout of 2012-14. — The Star Tribune (Minneapolis)
Salonen’s Departure From London’s Philharmonia Raises Questions About Orchestra’s Future
The simultaneous departures at the end of 2020-21 of Salonen from the Philharmonia and Vladimir Jurowski from the London Philharmonic pose big questions for the Southbank Centre. Both conductors have kept their orchestras at the top of the league. Yet both the Philharmonia and the LPO will need to ensure that the Southbank possesses a long-term commitment to the work the orchestras want to do – whatever that now is. – The Guardian
