Category: music

Recording giant EMI is preventing a remix that includes songs from the Beatles’ White Album from being sold. “DJ Danger Mouse created The Grey Album using Jay-Z’s vocals and beats made by sampling music on The White Album. EMI, which releases Beatles records, has served cease and desist orders to the DJ and record shops stocking it.”

Violist Sam Bergman and the Minnesota Orchestra play the legendary Musikverein in Vienna: “When the marquee sports the name ‘Joshua Bell,’ you can be sure of a full house, but you can also be sure of an audience that has come exclusively to see Josh play, and you therefore have some work to do to convince them to take an interest in whatever else is on the program.”

Modern audiences are used to performances that try to get as close as possible to a composer’s intentions. So it will likely be a shock when Leonard Slatkin performs Beethoven in versions as interpreted by Mahler. M”ahler, like many before and after him, simply filled in places where notes were missing. The range of most of the woodwind instruments had increased, too, so Mahler used the added notes to keep the flutes, say, from having to drop an octave for a note or two.”

A year-and-a-half ago, Seiji Ozawa finished up 29 years leading the Boston Symphony, and headed for Vienna to direct the State Opera. “Ozawa seems energized by all the change. Some critics and musicians felt that he had overstayed his welcome in Boston, that 29 years was too long a marriage for any conductor and orchestra. He acknowledges that it was a long time, adding that his style is to work slowly and methodically. But now he finds himself living in an even more musical city, associated with two of Europe’s great musical institutions. And already Vienna has adopted him as its own.”

Last week, Joseph Volpe announced that he was stepping down as general manager of the Metropolitan Opera in New York. His departure will end a remarkable 42-year association with the Met. “Improbably, that association took a Flatbush-born high school graduate with no advanced education, no musical training and scant feeling for opera from an entry-level job as an apprentice carpenter to the general manager’s office in 1990. It is sometimes said of a hands-on chief executive who has worked his way to the top that he knows every nail in the place. This is really true of Mr. Volpe, who hammered quite a few nails into the place himself.”

“Over the past decade, popular music has decisively joined visual art and science as a subject for museum treatment. Just in time for the midlife crisis of rock ‘n’ roll, advocates of popular music and chambers of commerce found common cause: suddenly, music was not a diversion or an embarrassment but an asset. And these museums promise visitors an irresistible package deal: a pilgrimage, a party and some painless education.”

Conductor Daniel Gatti and the Royal Philharmonic Orchestra had just finished a performance in Naples, Florida and the audience was applauding, when Gatti quieted the crowd: “Gatti, 42, began by apologizing for the quality of the performance, explaining that the orchestra had been on tour for two weeks. Then, in heated, broken English, he berated everybody there – the presenters, the orchestra and the audience – for a full two to three minutes.”

Timothy Mangan says enough with the standing ovations. “At every concert that I have attended for the past several years (and I do mean every single one), there has been a standing ovation (either by some in attendance, or all). The standing ovation is as ubiquitous as smog. Performers are beginning to smirk at it. When someone writes to me complaining about a review I wrote and asks, ‘Didn’t you notice the standing ovation? I laugh.”

Sam Bergman on tour with the Minnesota Orchestra: After a great reception in New York, the orchestra moves on to Vienna, and Sam finds the orchestra in a funk before a concert in the Musikverein. “Like I said, you’ve got to learn to shake off the hard days, or they’ll eat you alive. Consider me well-shaken.”

The Boys Choir of Harlem has decided to fire its executive vice president, Horace Turnbull, and strip its founder, Walter Turnbull, of his chief-executive duties. “It was like a ma-and-pa candy store,” says one board member. “He [Walter Turnbull] viewed the choir as his creation and [acted as if] he deserved full entitlement. There were clearly problems which were addressed by the independent members of the board, but there were obstacles at every single step.”