Rosenberg: Money Plays Role In Leaving SF Opera

Pamela Rosenberg confirms that San Francisco Opera budget cuts played a big role in her leaving the company. A smaller budget means fewer new productions. “That part of the job has always been my most creative — being a midwife to artists and projects, and getting new productions conceived and done,” Rosenberg explained Thursday in a phone call from her office in the War Memorial Opera House. It looks like I won’t be able to do that in the future — we’re taking the budget down by 20 percent, and that will mean we will have the means to do a maximum of one new production a year for at least the next three seasons. At this point in my career, that’s just not enough for me.”

Attendance Up In Cincinnati

In another sign that the American orchestra crisis may be abating, the Cincinnati Symphony Orchestra has announced a second straight year of increased ticket sales. Overall sales jumped 2% for the 2003-04 season, with a 4% jump in subscriptions and a 12% uptick in online sales. An average of more than 1,900 concertgoers attended each CSO performance.

Grand Estonian Grand

Ten years ago, the Estonian Piano Factory was in such disrepair it almost went out of business. But after a young entrepreneur bought the company and revamped the instruments’ design, the company turned around. “Today, 90 percent of the approximately 500 Estonias handmade each year end up at U.S. dealerships. Estonias account for a fraction of U.S. sales, which were 40,000 grands and baby grands, and 57,000 smaller upright pianos in 2003.”

Does Clear Channel Really Own The Concert Instant-Recording Idea?

One of the most promising innovations in the music industry is the ability to record and sell recordings of live concerts within minutes of their conclusion. “On Monday, Clear Channel announced that this summer, it will offer some 100 live recordings of various artists who will be taped throughout the country.” But beware, independent artists who want to offer the service: “Clear Channel bought the patent for the live-recording technology from its inventors, and the company now claims it owns exclusive rights to the concept of selling concert CDs after shows.”

Mourning The Rosenberg Plan

Pamela Rosenberg was building a new model of an American opera company at San Francisco Opera. Taking some adverturous artistic risks, she had transformed the company in her short time running it, writes Anthony Tommasini. But she was hobbled by the company’s financial woes, and so she’s leaving, in search of a more financially stable situation. American opera is the poorer for that…