Category: music

The mess at La Scala with Riccardo Muti is worthy of an opera plot. To wit: “The town square at dusk: Muti, hair shorn, is to be executed. “There is only one way to work with Muti: his way,” sings Norman Lebrecht as he knits beside the guillotine. “The relationship between Muti and the orchestra is sick,” sings a musician. “Only death can cure this illness.” Meli and Confalonieri rush to try to free their hero, but are cut down by scythe-wielding peasants; Mrs Muti throws herself off the battlements; Franco Zeffirelli and Norman Lebrecht sing of their triumph; the chorus of La Scala hum the opening bars of On the Town. Before he is executed, Muti utters the immortal words – “I should have taken that bloody job with the New York Philharmonic.” He dies. Curtain.”

“The New Jersey Symphony Orchestra has deferred payment on part of a $9.18 million loan it took out in 2003 to purchase a collection of 30 rare Italian stringed instruments. The state Economic Development Authority yesterday granted the orchestra’s request to pay only interest on the loan for nine months, beginning next month. In exchange, the orchestra agreed to a lien on $366,000 of its endowment fund.”

Why are people so fanatical about wanting to see Wagner’s Ring cycle? “The enthusiasm of the hardcore “Ring” fans must have a major effect on people wanting to see The Ring” again and again. Compared to the average opera and symphony performance, the rampant exuberance and giddiness of the audience here was infectious and unmatched in all but a few other concert events. Just as important was the camaraderie. Not strangers, this was a group of acquaintances through the common love of “The Ring.” Opera crowds are often icy by nature; this one was inviting. Every time I walked back to my hotel I got in a long conversation about “The Ring” with a different person, most people I had never seen before. Who wouldn’t want to again be a part of a crowd like that if you are remotely into opera? The passion rivaled fans of a team in the playoffs, but with art, music and philosophy on everyone’s lips.”

“London’s Royal Opera House leads the race for this year’s Royal Philharmonic Society Awards with seven nominations. Its performers John Graham-Hall, Ben Heppner and Janice Watson dominate the best singer category. And the prestigious London venue’s music director Antonio Pappano is shortlisted for best conductor.”

UK Singles charts will soon begin counting legal downloads alongside cd sales, and the songs that make the Top 40 are sure to change. “In the first three months of 2005, 4.5 million songs were downloaded legally in the UK – compared with 5.8 million bought over the counter. Many of the fans who stopped buying singles are now keen on downloading – and while single-buying is largely left to teenage girls, downloaders are overwhelmingly male and more mature.
So their return to the chart returns could have a big impact on the Top 40.”

The president of the orchestra of La Scala has resigned, a week after Riccardo Muti quit the company. Fedele Confalonieri, “who is also president of Mediaset, a broadcaster controlled by Italian Prime Minister Silvio Berlusconi, gave no explanation for his departure in a brief statement released by his company.”

More and more, musicians are finding recordings of music they’re still working on leaked on the internet. “Because of internet leaks, artists don’t have control of their own music anymore. There is a lot of material to be honed and worked on — and some of it is very, very bad. There is a reason why artists don’t want people to hear it.”

Sony BMG says it is restructuring its classical music business under the name Sony BMG Masterworks. “It is intended not only to evoke past glories – Masterworks was CBS’s flagship classical line long before Sony bought the company from CBS in 1989 – but also to signal a renewed commitment to the core classical repertory.”

Lisa Saffer on what’s wrong with today’s opera world: “I think the business has shifted recently: money speaks more than it should, and that means taking safe choices: people have become too afraid of making mistakes. Singers get talked at the whole time and coached within an inch of their lives – and the result is a passivity which depresses me. There’s plenty of polish around, but the rough edges which give the music character are being ironed out. We need more singers with something of their own to say, singers who engage spontaneously with the music.”

“In an unprecedented development, jazz — specifically Chicago jazz — is about to get a large infusion of funding and opportunity. Three Chicago-area corporations and one local foundation have joined forces to pour an estimated $1.5 million into the city’s jazz scene in the next three years, with possibly more money to come during that time. Boeing Co., Bank One and Kraft Food have teamed with the non-profit Chicago Community Trust to create the Chicago Jazz Partnership, which will begin funneling approximately $500,000 into the city’s jazz scene this year, with hopes of expanding that support in years to come.”