Judge Ye Not So Ye Can Hear

Frank Oteri ponders the limitations of judgment on really hearing music: “I have long thought that the only way to be a receptive listener to music in a world where the Schoenberg/Cage emancipation of dissonance was a fait accompli is to engage in an emancipation of judgment. Such a stance not only liberates dissonance by also re-embraces consonance, any kind of timbre, rhythm or lack thereof, duration, you name it… Once we set up paradigms of good and bad, worthwhile and worthless, cool and uncool, we doom ourselves at best to being tomorrow’s Horatio Parker and, at worst, to being a mirror image of the very thing we claim not to let into our aesthetic purview.”

Why The iPod Fails At Classical Music

“Classical music fits badly into the Walkman world, and even worse into the iPod world. For one thing, the technology doesn’t suit it very well. Try listening to an opera on an iPod, and you’ll discover the software puts a gap between tracks, which is pretty annoying if you’re trying to enjoy the dramatic flow of an opera scene. And just try searching for your favourite Beethoven trio on iTunes, which is designed to search for “song” and “artist”, and copes badly with keys and opus numbers. But the very conception of music embodied in the iPod is bound to seem odd to a classical music lover.”

Going Cheap – A Chance To Conduct A Big Orchestra

The City of Birmingham Symphony Orchestra has put itself up fo sale on eBay. The winning bidder will have the opportunity to conduct the orchestra. “It will be interesting to see whether it will be bought by some terribly serious budding conductor who sees this as their break, or someone completely inexperienced who wants to be charitable towards us.”

Dodging Trouble In Pittsburgh

The Pittsburgh Symphony is in a tricky situation. It’s running deficits again, ticket sales aren’t up to snuff, and the orchestra is in the unenviable position of trying to remain in the top world ranks following the departure of renowned music director Mariss Jansons. Oh, and the musicians, who took a big pay cut a few years back, are due an unheard-of 25% raise this fall, the result of a contract which pegs their salaries to orchestras in New York, Philadelphia, Chicago, and Cleveland. Still, subscriptions are up, and previous deficits have been wiped out by last-minute contributions, so no one’s panicking yet.

Is US&O’s Financial Ship Starting To Turn?

The Utah Symphony & Opera’s embattled CEO, Anne Ewers, insists that the troubled organization is well on its way to recovery, despite huge deficits and an in-house revolt this past season that saw the orchestra’s musicians mount a public campaign to expose what they saw as mismanagement. Ewers’s offered to reduce her own salary by $25,000 to help the US&O cut expenses, and overall, the organization spent $250,000 less in the 2004-05 season than it had the year before. Other measures designed to stabilize the group include an end to the regular practice of engaging substitute musicians to fill out the orchestral ranks, and a mandatory $10,000 gift for each of the US&O’s 40 board members.

Is Vinyl A Thing Of The Past For DJ’s?

“When laptop DJing first came on the scene a few years back, there was a small handful of software programs for DJs to choose from, and none of them offered the same range of song manipulation options available with turntables or even CD DJ players. DJs could cross-fade (or blend) digital tracks, but the crucial function of shifting the pitch (or speed) of a song to match beats was unreliable. There was also the question of credibility. Vinyl was for purists. Digital was seen as cheating. But in the last year, technology has finally caught up with DJs’ expectations — and given them a way to keep it real.”

Rattle’s Kids

Sir Simon Rattle has long had an obsession with bringing classical music to a wider audience, and his latest project is a daring effort to link two disparate sectors of German society. “Rattle’s brave determination to include some of Berlin’s most phlegmatic and recalcitrant teenagers into the orchestra’s working life, from the very start of his collaboration with the orchestra, has been captured in Rhythm Is It!, one of the most popular German documentary films for years… In a former bus depot on the edge of industrial wasteland in Berlin, the cooperation between the teenagers and an initially sceptical orchestra reaches its height in a performance of Igor Stravinsky’s Rite of Spring, attended by an audience of several thousand. “

Fired As A Fiddler, Hired As A Conductor

Violinist Dennis Kim, who was recently dismissed from his position as concertmaster of the Hong Kong Philharmonic after music director Edo deWaart discovered that he had been auditioning for an American orchestra while supposedly on sick leave, has landed on his feet in a big way. Kim was named the new conductor of Korea’s Seoul Philharmonic Orchestra this week, following a series of auditions for the position. Kim is Korean-born, though he grew up mainly in Canada.

Montreal Symphonty Strike – A Disagreement Over Suspending Negotiations

Why have talks in the Montreal Symphony musicians’ strike stopped? “An MSO spokesperson told The Gazette yesterday negotiations were suspended for the month of August because the mediator was on vacation. Musicians’ association president Marc Beliveau concurred. Yet a press release from MSO management, dated Thursday, quotes the chief negotiator for management as saying, “Given the gulf separating the two sides, we fully understand why the mediator saw no need to schedule any new negotiating sessions.”