Seattle Newspaper Cuts Classical Music Critic

The Seattle Post-Intelligencer reassigned its classical music critic, making him a general assignment arts writer. The paper says it’s not cutting back on classical music coveraqge, and that it wants to cover it differently. But “even if the classical crowd winds up with as much coverage as ever, some fret that the switch from a staffer to a freelance critic might signify to readers a lesser commitment to the arts.”

Toronto Symphony – Can This Ship Be Turned?

The Toronto Symphony “lost $2.19-million last year, boosting its accumulated deficit to a dizzying $9.47-million. That’s more than half the orchestra’s annual budget, and over $2-million more than the debt the TSO carried when it nearly went bankrupt four years ago. Last year’s results include a climb in revenue of almost $2-million, and a rise in attendance to a respectable 85 per cent of capacity. Marketing and administration costs dropped almost across the board. And yet the TSO still couldn’t balance its books. There just wasn’t enough fundraising to cover the gap between ticket revenue and the expense of putting on concerts.”

The Case Of The Missing Conductor

When the Austin Symphony took to the stage Friday night for its schedules concert, its conductor Peter Bay was conspicuously absent. “The mystery of the missing conductor deepened when the principal horn player, Tom Hale, bounded onto the stage, bowed and then rose to the podium. The principal horn player?” So what delayed Bay? The orchestra certainly didn’t tell the audience…

Man Has Beethoven’s Bones

A California man says he’s in possession of fragments of Beethoven’s bones. “Paul Kaufmann made the announcement at the Center for Beethoven Studies at San Jose State University, which helped coordinate forensic testing aimed at authenticating the fragments and determining what killed Beethoven at age 56.”

How Music Companies Are Screwing Us On Digital Music

“Not many music lovers have warmed to the idea that they don’t retain all the rights to the music they buy. The crux of the debate is this: When you buy a song, an album, or a movie, are you buying the content only in the form it comes in? If you purchase a song from Apple’s iTunes store, should you be able to play it on any hardware you want?”