The Philadelphia Orchestra, With Filler

“When is the Philadelphia Orchestra not the Philadelphia Orchestra? It’s no riddle, but a question of artistic integrity tested by the orchestra’s Sunday night New Year’s Eve concert in which a quarter or more of the musicians on stage at Verizon Hall were substitutes. It might not be worth noting had the members of the orchestra been less righteous about such matters in the past.”

The Tango As Tool Of Middle East Peace

In Buenos Aires, “Israeli and Palestinian ambassadors sat side by side in the final hours of 2006 in a show of unity at a concert led by the renowned Argentine-born conductor Daniel Barenboim, a prominent advocate for peace in the Middle East. On Sunday night, Barenboim departed from his usual repertoire of classical music, and instead focused on Buenos Aires’ signature genre: tango.”

One Night You’re On…

“It is a truism in opera that you’re only as good as your last performance. Human variability is supposed to be one of the exciting things about live music, making it like a high-wire act. Will the tenor successfully negotiate the course? Or will he fall spectacularly, in plain sight of everyone, cracking on a high note. This mutability has given even superstar singers screaming cases of stage fright.”

Are Albums Morphing Live?

“Maybe the album’s dead; but then, maybe it isn’t. It’s become a commonplace that albums are losing their authority as artistic entities as an increasing number of people buy music song by song via services like iTunes. So playing an album live helps artists regain a modicum of creative control. The experience is like listening to a playlist, but this time (as earlier) it’s the musicians and producers themselves who are devising it.”

Classical Music – The Year That Was

“There were openings (a good half-dozen new or renovated performance venues) and closings (Tower Records), arrivals (Peter Gelb at the Metropolitan Opera, Kent Nagano in Montreal and Munich, James Conlon in Los Angeles) and departures announced (Eschenbach from Philadelphia, Gatti from Bologna). And, of course, there was lots and lots of Mozart.”