A New Star Conductor?

Comparisons between Gustavo Dudamel (26) and Britain’s Simon Rattle have been frequently voiced, and Rattle has, indeed, been eloquent in praise of this remarkable newcomer. It’s not just the mop of curly hair, however; if you watch early Rattle DVDs… you see that same eagerness to put things across, that obsession almost to reach into the orchestra and pull things out into the light, that made everything in last week’s concert, wherever you sat in Disney Hall, more vivid, more thrilling. We need conductors like that; now we have one more.”

Thankyou On The Job Site

Faculty members of Toronto’s Royal Conservatory of Music decided to thank workers building a new concert hall for the school by going out to the construction site and playing music for them. “The 1,140-seat concert hall is set to open early next year. When the conservatory faculty heard about PCL’s thank-you lunch, members offered to provide a half hour of music.”

Italy’s Best Opera House (Hint: It’s Not In Milan)

“Despite budget cuts that have plagued all of Italy’s art institutions, the San Carlo [in Naples] has managed to stage innovative programs that lure longtime devotees as well as young newcomers–unlike its chief rival, Milan’s La Scala, which tends toward big, old-fashioned shows that are fed as much by tourists as by locals. More than half of La Scala’s ticket sales are by the day, while the San Carlo’s are primarily by season.”

Why The Met’s New Opera Has A Rough Time

Justin Davidson writes that Tan Dun’s “First Emperor” is trapped in opera’s current production system. “In a sense, there is no excuse for an opera that was commissioned a decade ago getting to opening night without its final coat of varnish. The Met is not the place for tryouts. But company, composer, audience and cast are all locked into a peculiar system that makes it difficult for new operas to mature.”

The Future Of Music

“The purchase and collection of CDs is getting a little harder — but while the future of music leans toward cyberspace, experts also feel the CD and the record store will remain a part of the music industry. The song will remahe same, but the shops’ roles will be different.”