Sure, Twitter has issues. And then it has this: “At 58, [Karita] Mattila, who is currently onstage here at the Aix Festival in Weill and Brecht’s “Rise and Fall of the City of Mahagonny,” is having something of a late-career renaissance: a newly expanding repertoire and newfound celebrity on Twitter, where she is beloved by some of opera’s most ardent fans. And she loves them right back.” – The New York Times
Category: music
The Uber Driver Whose Opera Singing Videos Went Viral
Actually, he’s an opera singer by training and design and only an Uber driver – in Durban, South Africa – by economic necessity. Still, though, the viral videos taken by a passenger were a welcome surprise. “The exposure has rocketed Mngoma to semi-stardom. He has since been interviewed by radio and TV stations across the country and auditioned for the Cape Town Opera. He has even been invited to participate in iPop, an international talent contest in L.A. this December — a step toward his dream of international stardom.” – NPR
Opera Is Tasked With Saving This Small Town In ‘Empty Spain’
Between Madrid and Barcelona, there’s now little but empty space where towns used to be – except for the 700-person town of Medinaceli, where “in August, [the town] becomes a stage for high art, due to one man’s eccentric vision of bringing elite opera to the slumbering central town in Soria, the least populated of Spain’s 50 provinces.” – BBC
How Could New York City Opera’s ‘Stonewall’ Have Screwed Up So Badly On Trans Issues?
Brin Solomon: “In casting a trans man to play a trans woman, the Stonewall creative team have botched things so spectacularly … It’s difficult to convey how bizarre this casting choice is. It’s like writing a character who’s a lesbian, casting a gay man to play her, and then boasting of writing a homosexual character for a homosexual actor.” – I Care If You Listen
Conductor Who Transformed Sistine Chapel Choir Resigns As Financial Investigation Continues
“Msgr. Massimo Palombella” — who raised the (previously abysmal) standards of the papal ensemble, garnering it a major-label recording contract and international respect for the first time in many decades — “has resigned amid an investigation by Vatican prosecutors into alleged money laundering, fraud and embezzlement in connection with the choir’s funds.” – Financial Times
Will Millennials Kill Opera?
“We’re not known for our attention spans, our patience, or our respect for tradition, and we have been subsequently accused of killing avocado, cheese, home ownership, marriage, and the retail industry. Behind these allegations is, of course, the world’s deeply troubled economy, which has effectively made it unlikely that most of us will be able to afford what our parents could.” – Vogue
Baltimore Symphony’s Finances Are So Bad Tapping Its Endowment Is Problematic
The BSO’s finances arguably are so unstable that members of the endowment trust supporting the symphony balk at lending or giving it even one penny more than the $6 million it has received this fiscal year. Some trustees worry that releasing more funds to an organization they say is in dire financial straits would be tantamount to pouring money down a drain. – Baltimore Sun
Improbable Intersection: When Joni Mitchell Met Charles Mingus
While Mitchell’s associations with jazz had been criticised in the mainstream rock press by writers who found her experimental, category-defying streak somewhat conceited, it was Mingus himself who instigated the project. Dying from ALS, Mingus was fixed on the idea of a final project, an epitaph of sorts, but he knew he needed a guiding light to see it through to fruition. – Jazz Journal
A New Generation Of Transgender Singers Making Their Mark In The Opera World
“Some … found new voices, either with the help of hormones or through retraining. Others kept the voices they had built their careers on — even if it meant continuing to perform in the gender they had left behind. Now some are getting higher-profile roles — and upending preconceptions about voice and gender. … We spent time with four of the artists at the forefront of this new wave.” – The New York Times
How Exactly Do You Go About Translating The Words Of An Opera?
Writer Heather O’Donovan looks at the challenges of both translations for singing (fitting new words to the music) and supertitles (fitting the words onto that little screen). – WQXR (New York City)
