El Sistema In Prison

“In a project extending Venezuela’s renowned system of youth orchestras to some of the country’s most hardened prisons, hundreds of prisoners are learning a repertory that includes Beethoven’s Ninth Symphony and folk songs from the Venezuelan plains. The budding musicians include murderers, kidnappers, thieves and, here at the women’s prison, dozens of narcomulas, or drug mules, as small-scale drug smugglers are called.”

Music Blogs Get A Toehold

“Fortune 500 companies are waking up to the fact that young hipsters are congregating on MP3 blogs. This is an extremely desirable demographic for many of these companies. The people who troll for music on MP3 blogs tend to be tastemakers who wield considerable influence over their peers. But they’re also difficult to reach through traditional media.”

Met Opera Insider Reveals Company’s Turnaround Blueprint

“There seems to be enough data now to demonstrate that the Battleship Met has indeed turned around. Just two years ago, every indicator for the Met Opera was pointing down. And now they’re all pointing up — attendance, subscriptions, sellouts, philanthropy. And if one looks at that ephemeral quality associated with success — buzz — the Met now has it again. In fact, the Met has become the hot cultural ticket in town.”

How The US Military Uses Music To Torture

Ultimately, though, the most overused torture song is I Love You by Barney the Purple Dinosaur. On the face of it, the lyrics may seem deeply inappropriate: “I love you, you love me – we’re a happy family./With a great big hug and a kiss from me to you,/Won’t you say you love me too?”, but anyone whose child watches the television programme will know how grating
it is. In the torture trade, this is called “futility music”, designed to convince the prisoner of the futility of maintaining his position.

Who Owns Music

“In the music world, recording technology has greatly complicated the issues of ownership, authorship, and proprietary rights by simplifying the acquisition of creative property. Since the rise of sampling and downloading, digital technology has transferred many of the privileges of authorship from what was once an elite of professional musicians to the iPod-ed masses.”