Tucson Chamber Music Group Puzzled By Actors’ Union Ban

Equity warns its members not to work with Tucson’s Chamber Music Plus Southwest. But “we’re not a theater organization. It doesn’t fit. If we were a theater organization, where actors came in for a week at a time and you had costumes and sets, that’s Equity. What we do is no different than what the New York Philharmonic does. . . . It’s a guest appearance by an actor; it’s not an Equity situation. But they don’t seem to understand this.”

25 Years Of Being Able To Follow Opera

“Now, in the 25th anniversary year of supertitles, such systems have been embraced by companies and audiences. The benefits are obvious. Opera is a form of drama, and that basic element of the genre becomes immediately apparent, even to neophytes, when titling is used. Still, as with subtitles in foreign films, supertitles come with built-in tradeoffs.”

How The Met Opera’s Moviecasts Are Changing Opera

“According to a recent survey by Shugoll Research, a pollster, more than 92% of the people who saw one of the Met’s performances in a cinema said they were likely to go to a performance at the Met or another opera house. As almost one in five of those surveyed said that they had not gone to the opera in the past two years, and around 5% said they had never been to the opera at all, the Met can justifiably claim that simulcasts are rejuvenating and expanding the audience for opera.”

Barbershop Quartets Fight Over Their Heritage

The signature sound of four unaccompanied male voices singing in harmony has been the roots of the style, but modernizers want new blood and fresh ideas. Supporters of the traditional style are also known as ‘kibbers,’ for the slogan ‘Keep It Barbershop.’ The traditionalists question the use of modern songs in barbershop harmonizing. Some say the chord structures don’t lend themselves to harmonizing because they are based on the blues, not classical sounds.”