This Day In Acoustical History

When McKim, Mead & White designed Boston’s Symphony Hall, which opened on Oct. 15, 1900, they “did something unprecedented: They hired Wallace Clement Sabine, a young assistant physics professor from nearby Harvard, to act as acoustical consultant. For the first time ever, scientifically proven acoustical principles were applied to concert-hall design.”

So How Well Does Met Player Work, Anyway?

The Metropolitan Opera launches its online audio and video streaming service, Met Player, next Wednesday. Daniel J. Wakin tested it out. “Several times during the trial an attempt to stream a 2007 high-definition performance of ‘Il Barbiere di Siviglia’ hiccupped and caused the browser to close. But the process worked on the next try. The sound was clear and rich, and the video sharp.”

Bach’s Note-Perfect Soundtrack To The Economic Mess

The ideal musical accompaniment to the worldwide financial debacle? “Bach’s short, rarely performed Cantata 168, a setting of passages on the parable of the unjust steward from Corinthians and the Gospel of Luke. It won’t bring you much solace – at least not until the closing chorus of consolation – but you will be able to feel and share the anger and the wrath, directed at bankers and accountants.”

Faculty Union Forming At Manhattan School of Music?

Manhattan School of Music teachers have begun organizing to form a union, arguing that “they are poorly paid, lack job security and have little say in how the school is run and no recourse for complaints. … The struggle has injected a dose of real-world politics into the melody-basted halls of the Manhattan School, one of the city’s top conservatories and the producer of legions of highly skilled singers, pianists, fiddlers and other performers.”