Harnoncourt: Mozart’s Last 3 Symphonies Are An Oratorio

“I have just discovered that the last three Mozart symphonies are an instrumental oratorio,” Nikolaus Harnoncourt told interviewer Tom Service, who explains: “[A]ll that he had time to tell me was that it’s because the 39th Symphony is the only one with an introduction, and the 41st, the Jupiter, the only one with a proper finale; and that there are thematic connections across all three symphonies – and not just the four-note tag that dominates the finale of the Jupiter.”

Union To Members: New York City Opera Strike Is ‘Likely’

“A strike may cripple the New York City Opera later this year if its new general manager and artistic director, George Steel, seeks extensive concessions, said the union representing opera singers, stage directors and other production staffers. … ‘Under Steel’s proposal, working at City Opera wouldn’t even be a full-time job,’ Alan Gordon, the executive director of the Guild, said in an interview.”

Ying Quartet Loses A Ying

The all-sibling foursome is losing its first violinist, Timothy Ying, who announced at a concert last weekend that this was his last performance with the group. He says, “It’s all about providing the kind of family life that I want for my kids. I’ve been on the road about half of the time for the past 15 years.” He has three children under the age of 5.

Robert Ashley’s Persistent Dream: CSI-Like Opera For TV

“There was a time in the late 1960s when the avant-garde composer Robert Ashley thought that the world was ready for televised opera.” In 1984, with the broadcast of his Perfect Lives, “Ashley was possibly even poised to give birth to a new popular genre — and then he didn’t. … It’s 25 years since [Perfect Lives‘] first TV success, yet Ashley is farther than ever from realising his dream of opera for television. But, even at 79, he’s patient.”