Is Money Ruining The Music Industry?

“You realise there’s something hugely missing now. And I think that’s fun and creativity. That was the main thing. And I think the problem is that in the last 10-15 years it’s become about money and the money men are now running the companies, whereas traditionally it’s always been the creatives. So I think that’s a long-term thing and that’s important for the general health of the industry.”

Has Sweden Turned The Corner On Illegal Music Downloading?

“Sweden, long considered one of the world’s most welcoming havens for digital piracy, is now showing signs of turning back toward legal, licensed music, both online and in stores. Music sales in Sweden rose 10.2 percent last year, according to the recording companies’ international trade group, even as they fell by nearly 10 percent worldwide, continuing a nearly decade-long downward spiral.”

Women Conductors Still Have Tough Time In UK

“The reasons that conductors’ gender is still an issue for us are twofold: there are still too few female conductors in charge of orchestras (apart from Jane Glover at the Royal Academy of Music, there are no women currently in posts high up the orchestral or operatic hierarchy anywhere in Britain), and the methods and opportunities for training conductors here are pitifully patchy.”

What Ails Jazz In The UK

“As many feared, jazz gigs in pubs have significantly diminished since the 2003 Licensing Act, with its cumbersome and bureaucratic new licence requirements for live performers. The news that the government was finally thinking of modifying it to exempt small venues got an audible sigh of relief.”

How Alan Gilbert Is Changing The New York Philharmonic

“It’s one hell of a gamble. Not only is the 42-year-old Gilbert still, in conducting terms, a baby, he is also virtually unknown, having spent eight years in the relative sticks of the Royal Stockholm Philharmonic. And yet the mission he has been given is to transform the orchestra and return it to the world-class form that it enjoyed under the baton of Leonard Bernstein. No mean feat.”

The Unbearable Lightness Of Gilbert And Sullivan

“If you don’t like patter songs or find ¬Basingstoke inherently funny, Gilbert and Sullivan – a kind of late-Victorian Monty Python – probably isn’t for you. Second-rate productions can, undeniably, be ¬tedious. Speech and music have to be seamless; timing is vital; the mechanism is as precise – and as likely to malfunction if done hamfistedly – as Rossini.”