Music Dying? The Facts Don’t Buy It

“It is easier to make the case that the music industry, far from imploding, is one of the great success stories of the recession. Last year sales of singles soared to an all-time record of 152.7m units, an astonishing 33% rise in a year when the whole economy (GDP) contracted by 3.3%. If the music pundits seriously think that these are not being bought by kids, then it shows how out of touch they are with their customers.”

Report: UK Recording Industry Still Vital

The “report says that there are more than 4,000 artists on major record label rosters, with thousands more on independents. Around one in four of these artists were signed in the last 12 months. The report points out that, in the UK, record labels spend 23% of their total revenue on A&R (the average worldwide is 16%), comparing that to the pharmaceutical industry, which spends 15% on research and development.”

Two Montreal SO Discs Ruled Un-Canadian By Junos

The recordings, under OSM music director Kent Nagano, are of Mahler’s Das Lied von der Erde (on Sony) and Unsuk Chin’s Violin Concerto (on the Montreal-based label Analekta); both use German soloists. Says a Juno spokesman, “We understand that the OSM is Canadian. But it was in the Soloist with Large Ensemble Accompaniment (category), so the focus is on the soloist. And the soloist, not being Canadian, can’t qualify.”

How Do You Win That Orchestra Spot? Get In The Minivan

Facing a 26-hour drive from Winnipeg to his D.C. audition with the National Symphony Orchestra, timpanist Jauvon Gilliam “called up timpanists in major American orchestras along the way and asked if he could play for them. He wanted to get used to playing nervous, in unfamiliar situations. … [B]y the time he got to Washington, he was in great form.”