How Social Media Is Changing The Music Business

“In the past, there were just a few gatekeepers to music, and you had a powerful network of labels, A&R men, radio and TV executives and magazines who decided what you should be listening to. Now, it’s so much easier to find out what your friends are listening to or what other people who like the same music on the other side of the world are recommending.”

“The Accordion Is Not a Punchline”

The maligned old squeezebox and its nearest relatives are indispensable to countless types of music, from Mexico to Ireland to Argentina to Louisiana to France to South Africa – not to forget polka, of course. Why does the accordion get no respect? Pauline Oliveros, doyenne of experimental composers and possibly the world’s first avant-garde accordionist, has some ideas.

Audience Behavior Matters At Classical Music Concerts

“Does that etiquette have any purpose beyond crusty tradition? As far as classical music is concerned, the answer is yes. The need to sit still and pipe down is purely practical: to enable everyone to hear properly and to respect the performers, as well as fellow listeners. No one cares what you wear any more, and all that social nicety stuff is dead.”