More Chinese Films Withdrawn From Melbourne Fest Over Uighur Controversy

As Chinese authorities continue their furious protests over the Aug. 8 appearance of Uighur activist Rebiya Kadeer at the Melbourne International Film Festival (where a documentary on her is being shown), three more Chinese-language films have been removed from the festival program. Two films had been withdrawn already, including one by Venice Film Festival winner Jia Zhangke.

Vampirism, Catholicism And Korea (According To Park Chan-wook)

“When you consider the concept of vampirism, it is inherently part of a Western culture. And also Catholicism is also part of the Western tradition that comes into Korea. So you can say also that my film [Thirst] is about things that are coming from the outside entering in, such as this virus that enters into the priest, changing him [into a vampire]. So we’re looking at things from the exterior entering into the interior and whether our inside can accept this thing that has entered from the outside or whether it will reject it.”

Killing Its Film Program Is Proof LACMA Has Lost Its Mind

“You’ll excuse me, but the logic of needing to stop the program in order to rethink it sounds suspiciously like the apocryphal Vietnam War rationale that ‘we had to burn the village to save it.’ … If I am being a little tough on the museum, and I know I am, it’s because their reasons for doing what they’ve just done seem especially specious. LACMA’s thinking may seem just fine in the abstract but it doesn’t hold up under any kind of examination.”

Nightingales’ Song And Other Sound-Design Obsessions

“Most filmgoers focus on the acting, dialogue, costumes, even the soundtrack, before noticing the many sounds also required to create and sustain a mood. Yet, says [sound designer Jane Tattersall], it’s those background details that can make or break the moment. If she gets them right, her skill is essentially unnoticed; if she gets them wrong, she ruins many months, maybe years, of others’ hard work.”

Film Lovers Fret As Cahiers Du Cinema Changes Hands

“Cinéphiles everywhere greeted with alarm the news this February that Cahiers du Cinéma, the most venerable film magazine in the world, had been sold to the English art publisher Phaidon. … No other magazine has proved so extravagantly, and for so long, that film criticism can be vital to filmmaking. Last week’s announcement that Phaidon had appointed Stéphane Delorme as the new editor quieted anxieties.”

LACMA Ends Its Film Programming

“For four decades, the Los Angeles County Museum of Art has fed film aficionados a steady diet of movie classics – retrospectives that included works from Roman Polanski, Cary Grant, Ernst Lubitsch and, in a current series, James Mason. But the museum’s weekend film program was losing both money and its audience, and LACMA said Tuesday that it was pulling the plug on its cinematic centerpiece.”