The movie (which had the worst opening weekend of any Clint Eastwood-directed film) is Eastwood in chair-ranting mode, and then there’s the issue of the lie that a reporter from the Atlanta Journal-Constitution slept with a source to get info. Outrage abounds online, but”Billy Ray, the screenwriter of Richard Jewell, and Warner Bros., the studio distributing it, have defended the movie by taking a page from the current political moment. They’ve doubled down on their misrepresentation, attacking their accusers without addressing, in any detail, the falsehood that they’re accused of telling.” Oof. – Variety
Category: media
Danish TV Is So Popular, Denmark Can’t Keep Up With The Demand
The boom in streaming has led to massive content demands – and nowhere is that more obvious than “in Denmark, where thanks to years of rising demand, there are many more critically-praised series and movies being made than ever before. But what there isn’t, in this country of just 5.6 million people, is enough skilled professionals to produce them all. Help-wanted ads are popping up all over industry Facebook groups. Certain shows have had to postpone production by six months, or indefinitely.” – The New York Times
American Gods Star Orlando Jones Posts A Video Explaining Why A New White Showrunner Fired Him
Jones, who played the Anansi-inspired character Mr. Nancy, posted the video to Twitter. He said that new showrunner Charles Eglee, who is white, “thinks that Mr. Nancy’s angry get-shit-done is the wrong message for black America.” – Slate
How Awards Distort Our Movie And Music Culture
Awards are, it must be said, an absurdity. It is not only possible but crucial to insist on the importance or value of art without giving it a trophy. For the many who are interested in the arts, both mass-marketability and the potential for conferred prestige (i.e. awards) should be irrelevant. If those markers are your interest above the work itself, you can turn to metrics, algorithms, and trending topics, which have robust and widely-available platforms for consumption and analysis. Instead, in discussing and deciding what’s available to watch, what’s worth or not worth watching, and how movies are shaping our society, we must try to de-emphasize the validating mechanisms the industry itself provides. – The Daily Beast
NPR Changes The Formula For What It Charges Local Stations
Among stations with annual membership income above $4 million, the median change in fees is a 9% increase, according to NPR; among stations with income below $250,000, an 8% decline. – Current
Brazilian Film Industry Suffering Under Bolsonaro Government
Brazilian cinema – put on the map by global hits such as City of God and Aquarius – has suffered a succession of blows since Bolsonaro took office in January, from a general lack of interest in the arts to more pointed attacks on films dealing with themes such as sexual diversity and race. – The Guardian
So Many Good, And Successful, Movies By And About Women This Year — Why Are They Getting So Few Award Nominations?
Films such as Greta Gerwig’s Little Women, Melina Matsoukas’s Queen & Slim, Lulu Wang’s The Farewell, Olivia Wilde’s Booksmart, and Lorene Scafaria’s Hustlers have been nearly shut out of the Golden Globe and Screen Actors Guild nominations. Reporters Nicole Sperling and Brooks Barnes look into the reasons. – The New York Times
What’s Behind #PayUpHollywood?
“In recent weeks, hundreds of TV and film assistants … have begun to speak out about their experiences on the bottom rung of the industry, mounting a fight for better pay and fair treatment.” Many of those assistants are paid only $12 and hour, California’s minimum wage, and the stories of bizarre demands and mistreatment by bosses are legion. – The Guardian
How Reese Witherspoon Remade Herself Into A Genuine Multimedia Mogul
“Tired of dreadful scripts and degrading magazine spreads, the Oscar-winning actress, producer, entrepreneur and activist built an empire on her own taste and work ethic. Now she plots projects all over Hollywood and responds to critics of her paychecks: ‘Does it bother people when Kobe Bryant or LeBron James make their contract?'” – The Hollywood Reporter
Netflix Says 26 Million Watched “The Irishman” In Its First Week
“The Irishman,” released on Netflix on Nov. 27, is expected to be watched by about 40 million Netflix households in its first month, Sarandos said. That would be well below other Netflix hits, such as the science-fiction thriller “Bird Box,” that drew 80 million households during its first four weeks. – Los Angeles Times
