The Quiet Performances That Make Loud, Oscar-Winning Ones Possible

“It’s no secret that awards for best acting often go to those who do the most acting – thus the Oscar love for stars who play crazy, sick, disabled, foreign, or trashy. … What’s rarely acknowledged is how such a grandiose performance would be unbearable without a straight man to balance things out, to maintain a baseline of identifiable reality.”

What Killed Hollywood’s Femmes Fatales?

“Among her many singular contributions, the femme fatale enabled a cut-the-crap directness between men and women that’s virtually extinct in contemporary American cinema, not only in romantic comedies but in dramas as well, both of which thrive on miscommunication between the sexes. … By the early 1950s, the femme fatale all but disappeared from the big screen, displaced by the politely swooning housewives of Douglas Sirk and, later, empowered ass-kickers like Faye Dunaway in Bonnie and Clyde.

Should Public Broadcasting in the US Follow the BBC Model?

“America is the only major democracy in the West to rely almost entirely on commercial media to comprehensively inform its citizens.” And studies show that the general public in other industrialized democracies (with much better-funded and widely-watched public broadcasters) is far more informed on public issues. Should the US develop a BBC-style system? (Could anyone get a license fee through Congress?)