Why Do So Many People Get Into Twitter Scandals?

“Pre-Twitter, our most extreme comments tended to stay inside a private space populated by, at most, a couple of dozen friends and colleagues. But Twitter has … [made] it easy for any jerkish utterance to spread … The thing that makes tweets most vulnerable is that the Twitter interface lends itself perfectly to expressing the anger of the busybodies who take umbrage at the simplest statement.”

Judd Apatow’s Movies Are Not Sexist

“It’s hard not to view Bridesmaids … as his mea culpa to the women of America. Presumably, he’d like to put to rest charges that the women in his films are underdeveloped vehicles for male transformation. … [But] Apatow has no need to atone. While his film canon is undeniably dude-centric, the lady characters he’s brought to the screen are more complex and fully realized than his detractors claim.”

Demme, Scorsese, Bigelow – Big-Name Movie Directors Head To Small Screen

“This pilot season, with heightened pressure on networks to make sure new shows break through the clutter and compete with hundreds of cable channels, Netflix and the DVR, the big-four networks have increasingly turned to feature-film directors. Adjusting to TV isn’t always easy. Unlike in film, where auteurs impart their vision, in TV the writers rule.”

3D Movie Business Rapidly Expanding Internationally

“In the last three years, Imax’s global theater network has expanded nearly 80% to 528 theaters, including 201 in foreign markets, where the per-screen revenue tends to be substantially higher than in North America, thanks to strong consumer demand and higher ticket prices. The international marketplace is becoming increasingly critical for Hollywood studios, which now amass more than 50% of their annual box-office revenue abroad.”