Guillermo Del Toro’s Problem With Most Special-Effects Shots

“Normally, every FX shot looks like a cool shot. You go out the window, the character’s drinking some wine. You go out the window, you go around the block, into the next tower, out of the tower, into an airplane passing by, and you’re in the lap of a passenger in first class. And all you’re telling them is ‘cool shot, is that real?'”

Why I Became A TV Critic: Rank Addiction

Alessandra Stanley: “Television was all but forbidden when I was growing up. It’s not that my parents had high standards or academic expectations. They were of a time when adults set limits just because they could. … That period of deprivation cemented a lifelong passion for television as acute as the diabetic’s craving for chocolate, the smoker’s need for a puff.”

Why Disney’s Lone Ranger Was Doomed To Be A Financial Sinkhole

Andrew O’Hehir: “One could also understand big, stupid, money-losing pictures as a feature of Hollywood’s production system, rather than a bug. … The movie industry, at least at that level, operates on the same delusional principles as the military budget or Wall Street executive salaries, where bigness, waste and needless expenditure in all directions become markers of significance and ambition.”