How Much Good Can Movies Like 12 Years A Slave Really Do?

Frank Rich: “Could this film possibly preach to the unconverted? Could it reach Americans who at this late date, in the 21st century, still haven’t gotten [Harriet Beecher] Stowe’s message? Will it even be seen by any of the millions who swear by Glenn Beck? This question might be asked of all the recent movies” – The Butler, Lincoln, Django Unchained, etc. – “that touch upon America’s unfinished racial business.”

“We Would Love To Forget, I Think”: LeVar Burton On The Impact Of Roots

“We would love to forget, I think. We would love to go back to the fairy tale, to the fantasy of Tara. But it’s too easy to try and erase the sins of the past and claim, ‘That wasn’t me.’ … I’ve heard disquieting chatter on both sides of the color line. Why do we have to revisit this again? Well, we have to revisit this again because all of us have forgotten!”

The Real Problem With Blue Is The Warmest Color‘s Sex Scenes

Richard Brody: “The problem … is that they’re too good – too unusual, too challenging, too original – to be assimilated … to the familiar moviegoing experience. Their duration alone is exceptional, as is their emphasis on the physical struggle, the passionate and uninhibited athleticism of sex, the profound marking of the characters’ souls by their sexual relationship.”