“Until we acknowledge there’s no right way to watch a movie, we’ll be stuck in a place where everyone’s being rude to someone. That is, unless we’re in our living room.”
Category: media
Yeah The Bafta Nominations Have Been Announced (So What Do We Learn From Them?)
“This year’s Bafta film nominations have been announced, and Gravity leads the field with 11 nominations. But what else is there to note about this year’s shortlist?”
A Significant Shift In The Kinds Of Video Games Now Being Made
“The people who make games now, they grew up with games their whole life — probably the first generation that did that. So it’s really natural to consider that you can have a game about anything.”
Can You Quote A Critic From Their Twitter Feed?
“Is it kosher for a movie producer to selectively quote from the Twitter feed of the NYT’s movie reviewer, in a print ad, even when the reviewer in question explicitly said he would not give permission?”
’12 Years a Slave’ Director Called ‘Garbage Man’ and ‘Doorman’ at NY Film Critics Circle Awards
Was the heckler, as some have reported, former NYFCC chairman and proudly ornery contrarian Armond Whiie, himself African-American? Andrew O’Hehir reports.
Downton Abbey Season Premiere Kills In The US Ratings
“Julian Fellowes’ drama is a major hit in the US, winning numerous Golden Globes and Emmy Awards. Nielsen figures show ratings were 22% higher than the series three premiere.”
How MTV Changed The Way Movies Look
All kinds of “social ills” have been blamed on MTV – elongating the period we consider “youth” for example, as well as homogenising it – but a charge much less contestable is simply its influence on the way film and TV looks.
Charlie Chaplin’s Talking Pictures
“Though most [silent film stars] made talking pictures, few made any to compare with their silent marvels; only those of Charlie Chaplin rival – and even surpass – his silent work.” Why did Chaplin succeed where his contemporaries faltered?
2013’s Most-Pirated Movies (And The Highest-Selling)
“Despite the high number of pirated films, however, Hollywood isn’t hurting. The latest numbers show that 2013′s box office is poised to be the best yet with $10.9 billion domestically, slightly edging out 2012′s $10.8 billion.”
The Problem With Crowd-Funded Movies
“When the people who have paid for the film are also your audience, you lose the latitude to innovate and surprise. Two roles that used to be distinct – investor and consumer – are now one, and as such the way the filmmakers can work is altered and limited, if they are to avoid a fan backlash and get funded a second time.”
