Stunt Performers Still Have Few Protections Against Accidents And Little Recourse

Olivia Jackson was gravely injured on a Resident Evil set in South Africa in 2015. But who should pay?. “Jackson’s ordeal highlights the vulnerabilities of performers on sets, especially on international productions, where it can be challenging to recover damages for injuries. Although film and TV-related fatalities have declined since the 1980s and 1990s, the number of catastrophic injuries has increased in recent years as production has expanded globally.” – Los Angeles Times

Some Movie Theatres Reopen In Texas

Malls and other retail establishments reopened in the state as well. Movie theatres that reopened were showing older-run movies for $5. In one San Antonio theatre, “in an upscale shopping center called the Rim, business was steady — low for a Saturday in May, but higher than what might be expected in a state still grappling with a coronavirus outbreak that has killed nearly 900 people, 48 of them in Bexar County, which includes San Antonio.” – The New York Times

Reporting The Box Office – From 1922

There’s literally nothing to report for the box office this week of 2020, so why not go back in history and see what was going on 98 years ago, during the first year of box office reporting? “The surprise of the week came at Clune’s, where The Isle of Zorda, at a scale of 25 cents for matinees and 35 at night, got better than $7,000 at a house that usually does around $3,500. The feature is being held over, although this week business is falling below that done last week.” – Slate

A Spanish Film Director Has Completed The First Feature Of This Crisis, Filmed Entirely In Lockdown

“It is a documentary not about the coronavirus, but about the intimate experience of the confinement that is obviously transformed into a film with dramatic, comical moments, especially touched by introspection, waiting, fear at times. There is more music and silence than dialogue.” And there are celebrities, but the director wants them to be a surprise. – El País

Of Course Streaming Is Up; Why Are Movie Chains Flipping Out?

The reactions of AMC and other chains to NBCUniversal’s touting of a streaming-only release of the movie Trolls: World Tour is head-shakingingly weird. Almost everyone is stuck at home – and almost no one has access to movie theatres (drive-ins excepted). “If there were ever a time not to make proclamations about the future of theatrical distribution, it’s now. Which is not to say that our re-emergence into the world of movies, whatever form that takes, won’t have its share of problems, because some of the old problems will follow us.” – Time

A Delicate Question: Sound Designing Sex And Intimacy

Intimacy comes from much more than the sound design for sex scenes, intense though they may be in Hulu’s 12-part Normal People. The music throughout the series, as with other audio queues, is meant to react along with audiences, not lead them. And then there are the physically intimate scenes: “That means adding a swallow, a breath, a stomach gurgle or the ruffle of material. … When they have their first kiss, you want the world to disappear. You want the audience to lean in.” – Variety

Actor Gael Garcia Bernal Trusts Director Pablo Lorrain

And that trust took him to some weird places in Lorrain’s newest movie, Ema. Bernal: “All films are mysteries; you don’t know how they’re going end up . . . but this one had mystery as its kind of guiding mantra. We didn’t know the scenes from day to day. We only knew them the night before or right on the day. We just went for the journey the Pablo had described to us and that was also changing a lot. I didn’t know what to expect.” – Irish Times