“Faced with the possible extinction of the material that made Hollywood famous, a coalition of studios is close to a deal to keep Eastman Kodak Co. in the business of producing movie film. The negotiations … [should] result in an arrangement where studios promise to buy a set quantity of film for the next several years, even though most movies and television shows these days are shot on digital video.”
Category: media
100 Years Of World War I Movies (And How They Changed)
David Mermelstein surveys the ways in which The War to End All Wars has been portrayed on screen, and how each era’s preoccupations affected the stories those films told.
Time-Shifted Viewing Increasingly Competes With Live TV (And It’s Changing How Programing Is Done
“In the past year, the volume of DVR playback viewing that occurs during primetime hours has reached the point where the DVR now ranks as the No. 1 network. The ratings generated by viewers opting to watch time-shifted programs — from across the television dial — are equivalent to the averages of the Big Four networks combined.”
More Universities Get Out Of College Radio and Affiliate With Public Radio Stations
“College-radio fans say the deals threaten rock innovation and experimentation. Many fledging bands still get their start on college radio, where the lack of profit constraints allows the stations to experiment with music and expand listeners’ horizons, they say.”
How China Is Increasingly Changing The Kinds Of Movies That Are Made
“At their current rate – anywhere between 10 and 13 new cinemas a day – China will have 60,000 screens in 10 to 15 years. The centre of gravity is shifting so rapidly to China and Asia – not just the market but also the money and capital for American movies – that their opinions are going to matter much more. Ultimately, China is going to be not just the biggest market but also the arbiter of what can get made and will get made.”
Television Station Challenges Ban On Airing Ads On Public TV
The government’s argument is that selling ad spots would change the nature of public TV. An executive from another public TV station, WGBH-TV in Boston, testified that were they allowed to start selling ad time like commercial stations do, funding from federal and state government sources, as well as foundations and not profits, would be “jeopardized.”
Why Is Hollywood’s Stereotype Of Kick-Ass A Blond White Woman?
“How is it that in a film whose premise rests on the idea of reimagining the past, present and future, we still end up with a blonde white woman with flashing blue eyes as the stand-in for what personifies evolution and supremely fulfilled human potential?”
College Radio Fans Fight To Keep Their Stations For Students (And Their Quirky Programs)
“Cash-strapped universities are discovering that their student stations are lucrative assets. They are finding eager partners in public-radio stations and religious broadcasters. The public and religious radio channels are looking to own the equivalent of beach-front property on the FM dial,.”
Quentin Tarantino Is Filming “The Hateful Eight” After All
The director – who called the project off in a fit of anger after the script was leaked – confirmed the news at, of all places, San Diego Comic-Con.
Star Wars Wars, Or, The Problem With Film Preservation
“To preserve film as a work of art, one has to preserve ‘not just (but also) the strip, not just (but also) the apparatus, not just (but also) the screening space; what needs to be transmitted into the future is the set of relations between them while they are in performance—the working system.'”
