Is It Time To Change The Academy Awards To Recognize Streaming-Only Films?

Not just for this year, when the change makes sense due to the coronavirus, but forever? Well, says one critic, “I believe there’s something sacred in the moviegoing experience that I can’t re-create at home. And relaxing Oscar rules risks chipping away at the institution you and I hold dear: going to see movies in the dark, on the big screen, among crowds, where they hold our undivided attention — as opposed to competing with incoming emails, phone calls and other distractions. But the truth is … the Academy risks irrelevance when it stands in the way.” – Variety

Interracial Romance Gets A Little More Real In Recent Shows And Movies

And that’s partly because of who’s controlling the narrative. There’s a small, but perhaps growing, “cultural trend in which black women, especially those of medium-to-dark-brown complexions — long positioned at the bottom of the aesthetic and social hierarchy in the United States because of racist standards — are increasingly appearing as leading ladies and romantic ideals in interracial relationships onscreen. In some cases, these are works created by black women themselves.” – The New York Times

The Future Of Filmmaking

Some things may change until there’s a vaccine – constant testing, small pods of workers instead of a huge crew, no craft services table – but others, like board meetings by Zoom, are here to stay. Director/producer Frank Marshall; “I know there’s a future, I know we will get through this, but the big question is when.” – Los Angeles Times

Georgia Issues Guidelines For Film Shooting To Start Again

Tyler Perry wants to start filming in early July, and Georgia seems amenable – as long as the actors follow guidelines including dealing with clear barriers between them until just before a shoot begins, and as long as craft services provide individual food packages, and as long as SAG-AFTRA eventually signs on to Georgia’s recommendations (not a given). – Los Angeles Times

Against Hype, A Few Films Actually Are Different From Anything That Came Before Them

Take Daughters of the Dust, for instance. ” Julie Dash’s astonishing debut is a portrait of a multigenerational South Carolina Gullah family as they prepare to migrate north in 1902.” (But truly, you could get a decent film education watching most of these movies as lockdown continues, or staying at home seems the safest move.) – The Atlantic

Hollywood Studios And Craft Unions Struggle Over How To Restart Production

“The industry task force that was assembled last month to address the safety issues has generated a 30-page draft of a white paper that is designed to convince governmental officials to give Hollywood the greenlight to resume production. … But the white paper is not complete and has not been signed off by all of the participants in the task force, which has spurred anger and finger-pointing among union and studio officials and … the labor negotiating body for the major studios.” – Variety

Only In France? A Traveling Drive-In Art Film Festival

The Drive-In Festival, conceived by a small group of French movie execs, shows one title a day (“popular director-driven films” rather than “blockbusters or new releases”) for a week, charging €10 for adults and €5 for children, then moves to the next city. The proceeds go to distributors and closed cinemas in each locale; they’re happy, but the national exhibitors’ association is objecting. – Variety

70% Of Audience Would Rather See New Movies At Home Than At A Theater: Study

“The results — from a survey of roughly 1,000 people in mid-May by sports and events analytics firm Performance Research, in partnership with Full Circle Research Co. — point to just how steep a climb the entertainment industry has in front of it to win back public perception that it’s safe to attend, and spend money on, public events again.” – Variety