David Oyelowo Had To Tell His Son He Can Be More In Movies Than A White Man’s Best Friend

“It’s because films like Selma are so rarely made that we end up putting them under the microscope. One, maybe two, a year. As a white person, you don’t have that. You have the gamut. No one says to Oliver Stone: ‘Another film about Vietnam? White characters again?’ Benedict Cumberbatch is never asked, ‘What, you’re playing another historical character?'”

As Lawsuit Shows, It’s Hard Out There For An Independent Movie Producer

“Indie producers typically raise money from a pool of investors, and look to partner with studios that can market and distribute their projects. But their movies often have trouble finding an audience in a marketplace dominated by big productions. It’s a bit of a gamble, and unlike a corporation, independent producers often don’t have the deep pockets necessary to weather a movie that bombs.”

Indies Are Back With Force (And Bidding Wars) At This Year’s Sundance

“One factor in this year’s resurgence of sales may be the magic glow shed on Sundance by the fact that two of its 2014 selections – Whiplash and Boyhood, by festival regular Richard Linklater – are among the best picture contenders at the Academy Awards. But the marketplace has changed, with distributors hungry to buy titles for video-on-demand services.”

Where Critics Have Failed The Art Of Movies

“Independent filmmaking is wilder and freer than ever, owing in part to the readier availability of equipment and in part to the mere march of time and proliferation of ideas. But, at the same time, Hollywood filmmaking is even more brazenly commercial. The gap between the independents and the profit centers is increasing along with the quality of independent films.”

“American Sniper”, War, Fiction, And Real-World Politics

“These films strip away almost all of the moral and political ambiguities of international conflict, in its place giving us a singular tale of physical and mental heroics dripping in red, white, and blue. It’s hard as an American to not be affected at some level. Although an unintended consequence of such powerful patriotic storytelling could be its political ramifications.”

France Considers Taxing Netflix, Amazon To Support Culture

“France has a vibrant film and television sector thanks to a system that requires television networks to hand over a proportion of their turnover to back domestic production, on top of a series of public grants and funds. The result is a diverse field of many small- to mid-size production companies, unlike in the United States, where studios and listed entertainment conglomerates dominate.”