“The Brother From Another Planet”: J. Hoberman on Godard

“Taken with cinema, but not taken in by it, … [Godard] is also the brother from another planet, at once straightforward and cryptic, an epistemologist of cinema, wondering why the film frame became a square and why lenses are round. … What to make of the Godardian mind? You might say that, as prolific as he is, Godard suffers from the attention-deficit disorder of genius.”

Why British Political Satire On TV Stops Being Satirical When It’s Adapted By Americans

“Failure is a wellspring of British comedy, but its American counterpart rewards ‘optimism [and] a refusal to see oneself in a bad light’.” Christopher Orr looks at how Game of Thrones changed from savage political parody to dramatic thriller as it crossed the Atlantic, and how The Thick of It morphed into the farce of Veep.

The Murky Gay (And Not-Gay) Politics Around Graham Moore’s “Stay Weird” Oscars Speech

“A lot of people assumed that by comparing himself to Turing, Moore was specifically addressing the plight of people who aren’t straight … But knowing that he’s straight, and knowing the primary controversy surrounding The Imitation Game has been about its minimization of the gay experience, makes Moore’s Oscars moment a somewhat strange one. In fact, it’s striking how much his speech is decidedly not aimed at gay people.”